Claus Wischmann

On the eve of the 1990 World Cup final, Plácido Domingo, José Carreras, and Luciano Pavarotti sang together for the first time. A look behind the scenes at a musical event whose phenomenal success lasted for more than a decade.

The Film shows how people living in one of the most chaotic cities in the world have managed to forge one of the most complex systems of human cooperation ever invented: a symphony orchestra. It is a film about the Congo, about the people of Kinshasa and about music.

This documentary journey turns our image of Africa upside down: mobile payment in remote villages, drones over farmland and block chain technology for hospitals. We discover a creative start-up scene in high-tech hubs with digital inventions and technical innovations that inspire worldwide.

The 9th Symphony of Ludwig van Beethoven is one of the most popular pieces of classical music in the world. Even those who are not passionate about the classical music recognize the famous Ode to Joy. Despite the grim context in which it was created, the 9th Symphony leaves us fascinated, moved and uplifted by its creativity, its power and its culmination in the Ode to Joy. More than 160 years after it was written, Beethoven’s hymn to brotherhood was adopted by the European Union as its official anthem. But Beethoven’s Ninth is also met with enthusiasm far beyond the borders of Europe. What’s the explanation for its never ending success? What is it about this work of art that fascinates people all over the world?

Since time immemorial, we have used images to form a picture of the world. But never before has there been as much filming and photography as there is currently. But how do people deal with it when the world and its image merge? The filmmakers Claus Wischmann and Martin Baer show how quickly and profoundly the way we deal with images is changing. Will we eventually move into a world in which reality and image can no longer be distinguished from each other?

The singer Max Lorenz was Hitler's favourite tenor: married to a Jewess, he was also homosexual. The biography of this outstanding Wagner singer is also closely bound up with the story of Haus Wahnfried in Bayreuth.

On the eve of the 1990 World Cup final, Plácido Domingo, José Carreras, and Luciano Pavarotti sang together for the first time. A look behind the scenes at a musical event whose phenomenal success lasted for more than a decade.

The Film shows how people living in one of the most chaotic cities in the world have managed to forge one of the most complex systems of human cooperation ever invented: a symphony orchestra. It is a film about the Congo, about the people of Kinshasa and about music.

The Film shows how people living in one of the most chaotic cities in the world have managed to forge one of the most complex systems of human cooperation ever invented: a symphony orchestra. It is a film about the Congo, about the people of Kinshasa and about music.

This documentary journey turns our image of Africa upside down: mobile payment in remote villages, drones over farmland and block chain technology for hospitals. We discover a creative start-up scene in high-tech hubs with digital inventions and technical innovations that inspire worldwide.

The 9th Symphony of Ludwig van Beethoven is one of the most popular pieces of classical music in the world. Even those who are not passionate about the classical music recognize the famous Ode to Joy. Despite the grim context in which it was created, the 9th Symphony leaves us fascinated, moved and uplifted by its creativity, its power and its culmination in the Ode to Joy. More than 160 years after it was written, Beethoven’s hymn to brotherhood was adopted by the European Union as its official anthem. But Beethoven’s Ninth is also met with enthusiasm far beyond the borders of Europe. What’s the explanation for its never ending success? What is it about this work of art that fascinates people all over the world?

Since time immemorial, we have used images to form a picture of the world. But never before has there been as much filming and photography as there is currently. But how do people deal with it when the world and its image merge? The filmmakers Claus Wischmann and Martin Baer show how quickly and profoundly the way we deal with images is changing. Will we eventually move into a world in which reality and image can no longer be distinguished from each other?

Since time immemorial, we have used images to form a picture of the world. But never before has there been as much filming and photography as there is currently. But how do people deal with it when the world and its image merge? The filmmakers Claus Wischmann and Martin Baer show how quickly and profoundly the way we deal with images is changing. Will we eventually move into a world in which reality and image can no longer be distinguished from each other?

Since time immemorial, we have used images to form a picture of the world. But never before has there been as much filming and photography as there is currently. But how do people deal with it when the world and its image merge? The filmmakers Claus Wischmann and Martin Baer show how quickly and profoundly the way we deal with images is changing. Will we eventually move into a world in which reality and image can no longer be distinguished from each other?

The singer Max Lorenz was Hitler's favourite tenor: married to a Jewess, he was also homosexual. The biography of this outstanding Wagner singer is also closely bound up with the story of Haus Wahnfried in Bayreuth.

No synopsis available yet.

No synopsis available yet.

An intimate portrait of the legendary pianist Murray Perahia. The documentary observes Perahia at work on the interpretation of some pieces by Chopin and Schumann. It shows him as conductor of the famous Academy of St. Martin in the Fields, follows him into the recording studio and a master class in Hanover and finally captures a concert performance at a Warsaw Chopin recital in February 2010.

Glimpse behind the curtain at opera legends Kathleen Battle and Jessye Norman’s famed concert at Carnegie Hall on March 18, 1990, featuring performance clips and new interviews with opera star Angel Blue, Met Opera General Manager Peter Gelb, and more.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

When radio host Milla (Katrin Bauerfeind) tells Sharronda, a listener to her new Break-up Show, live that her boyfriend Mufti doesn't want anything more to do with her, Sharronda (Alina Levshin) runs amok, raids the flower shop she used to work in, takes her ex-boss hostage and threatens to kill herself. To calm the situation, psychologist Lisa (Barbara Auer) disguises herself as a chemist and goes to the flower shop with the ransom money, only to learn from Sharronda that her brothers are right-wing radicals. Might they have forced her boyfriend to split up with her? A brand-new episode of Lars Becker's hit series.