Mikhail Troynik

A successful obstetrician living a seemingly stable married life begins to question her relationship when emotional and physical intimacy fades. Suspecting her husband of betrayal, she seeks connection elsewhere, stepping into a hidden world that offers desire, control, and escape. As she navigates this parallel existence, the boundaries between loyalty, loneliness, and self-discovery slowly begin to blur.

Taxi driver and unsuccessful actor Seva Gorelov accidentally meets his first love Masha Sokolova, once a young and carefree girl, and now a thirty-year-old spoiled kept woman. Seva works part-time in a taxi, and Masha accidentally becomes his client. To go far, to Sochi, to their homeland with Seva teenage love. Masha has a wedding there in a few days, but not with Seva, of course, but with a rich patron. From the very beginning it becomes clear that this journey will not end with anything good. 1600 kilometers of adventure, well flavored with humor, ambition, tears, resentment, flirting, passion and a great feeling, which again is out of place.

The life of foreman Ivan Plotnikov has been going downhill for a long time because of his invincible habit of enduring everything. But, by chance finding himself at the Russian bathhouse championship, he learns that this is not a curse at all, but a great talent. Now he will have to fully develop his ability to endure in order to finally believe in himself, regain the respect of his loved ones and compete for the solid cash prize that he so desperately needs.

Oleg is a suburban guy, he has been into boxing since childhood, now together with his friend Lyokha they work in a car repair shop on the Kanonersky island, where they live your average Russian life. He is saving for a round-the-world trip, making plans until a training session cuts his life into the “before” and “after” parts.

A small but powerful orchestra with strict melodies and rhythms in the spirit of “Avia” unleashes a mechanical frenzy: artists under a thick layer of make-up are throwing replicas from Harms' stories and notebooks. Ultimately, this plotless musical by Maxim Didenko with the artists of the Gogol Center claims to incarnate (literally, from the word “flesh”) the universe of a unique writer, the demiurge of a dislocated reality.

The story of one day - August 12, 2012. The Earl's Court Exhibition Center in London is filled with fans. Millions of viewers around the world are waiting for the start of the broadcast of the final volleyball game among men's teams, which will determine the winner of the XXX Olympic Games. The Russian team that has never won gold. And the Brazilian national team, caressed by contracts, victories and loyal fans. Many people think that the outcome of the game is predetermined. But few people yet know what place this final occupies in the life of each of the Russian athletes.

Two up-and-coming friends, seeing themselves as the future elite of the new world, oligarchs, they sign up for a major deal, but it turns out that they have been drawn into a massive embezzlement scheme involving billions from the treasury. After his arrest, Andrei ends up in an overcrowded communal cell, a purgatory where he must transform himself into a different person in order to survive and return back to the real world, to his family.

Thoracic surgeon Evgenia Belyaeva has one month to prepare for a flight to the International Space Station, where she must operate on a crew member. Will she be up for the challenge? Can she overcome her fears and insecurities? Will she be able to perform the complicated surgery in zero gravity, and give the cosmonaut a chance to return to Earth alive?

Since childhood, Svetka Artyukhova was teased for being overweight, and she chose the best way to take revenge - she became a cop. Now no one dares to laugh at her. And the opera Artyukhova herself jokes only to scare the detainees. But on the instructions of her superiors, Svetka will have to go on a stand-up tour under the guise of an administrator in order to reveal the drug sales scheme. A person who never smiles will have to be the errand for those who make jokes. The case is under special control, there is little time, and anyone can be a criminal. Sveta gets down to business with her usual simplicity, assertiveness and without any jokes.

Anna, a sociology student from a prosperous family, must pass her internship and goes outside to conduct a study, during which it is necessary to find out how modern Russians see their future.

The story is about how an elderly Muscovite Lida and a young migrant worker Abu really fell in love with each other, but the society around them did not accept this love.

Some sporting victories are about more than just claiming a title. Some of them go down in history. The film follows the most dramatic and legendary showdown in the history of chess – the match between Anatoly Karpov, then world champion, and Viktor Korchnoi, a recent emigrant from the USSR. In this battle between two outstanding chess players, a duel of personalities under immense psychological pressure, the stakes are incomprehensibly high.

Again, a commotion in a small Volga town, a girl disappeared again, they are again looking for a maniac. Zhenya is the only one who knows the truth: the death of the child was an accident. Actually, the girl died almost before his eyes. Only he does not dare to tell this truth to anyone. The fact is that Zhenya was released from prison a couple of days ago, and the sister of the deceased child is Zhenya's ex-girlfriend who left him. The ideal accused. And Zhenya embarks on a difficult, humiliating, dangerous operation to secretly bury a corpse, but if he can go to the end in his deceit, he will lose himself.

Katya is smart, modest and diligent, but most importantly, she is very convenient for those around her, which they take advantage of. After the death of her overprotective mother, Katya inherits her mother's late lover Andrey Nikolaevich, who has nowhere else to live, along with the house. However, this is not our heroine's main problem. The secrets that her mother hid from Katya during her life, the mortgage debt, because of which she could lose her home, and the mysterious man to whom her mother has been sending large sums of money for many years - Katya will have to figure all this out, and for the first time in her life - on her own.

Masha spent her entire 11 years of life with her cosmonaut father at the spaceport. She knows how to fly a plane, a boat, and take responsibility for herself, but she doesn't know how her peers live. To make friends and get used to life on Earth, she goes to a regular school in St. Petersburg, where her incredible adventures begin.

During a nationwide moral panic caused by a recent spike in teenage suicides two federal investigators are sent to a small Russian town to review a cold case involving a suspicious death of a schoolgirl. Initially seeing their task as a mere PR stunt both gradually start to loose their focus as they venture deeper into the paranoid world of conspiracy theories surrounding the case.

The wayward stove—maker Agnia does not spoil life - she lives in the Far North in an emergency poorly heated house, fishes in an ice hole and raises her son alone. Seasonal work makes it impossible to save up for new housing, and the local head of administration, Boris, is in no hurry to resettle people. Agreeing to Boris's proposal to lay out a stove in his hut, Agnia gradually falls in love with him, but eventually uses him to achieve her main goal — to move to a new apartment. And he does it in a very unusual way.

Returning from the war, a Captain of the Soviet Army falls into an abandoned well. A casual criminal wants to kill and rob him, but the Captain, doomed to die, must report about this crime even after his death in order for him not to become a missing person.

The new theatrical fantasy is inspired by the last, eleventh, book of poems by Kuzmin (her only lifetime edition is dated 1929). Work on the stage embodiment of this text for Nastavshev is akin to composing symphonic music, and he himself is the composer of the play.

The film's protagonist, Olga, returns home unexpectedly early and stumbles upon a surprising scene. From there, things rapidly escalate: a mysterious "night guest" appears, old family conflicts resurface, and the night becomes filled with candid confessions, sudden twists, and utter chaos.

The three not-so-lucky guys are having the most difficult, weirdest and funniest day of their lives. Meanwhile, in Moscow, a gang of Kyrgyz conspirators begins to wield, a sexist gynecologist and a feminist traumatologist come to work, a film producer is cheating on the Motherland, and clay policemen are uncovering their batons. The only question is which of these meetings will become fatal for our friends.

Single mother Maria lives with her son and daughter in a science city, which is being prepared for liquidation. She believes that her physicist husband, who disappeared six years ago during a scientific experiment, is somewhere nearby — just in another dimension. A former colleague of her husband arrives in the city in search of the missing person's records, and Maria has a boyfriend-trucker Stas, ready to take her away with her children and start a new life together. Faced with a choice, a woman can not decide to leave her invisible husband.

Russian musical performers, and with them familiar movie characters, began to speak and sing in a romantic language in the style of the French pop of the 60s and 70s.

Four weird guys from Russia seriously believe they are very important Freemasons. But one day they find out their Lodge should no longer exist. They don't agree and want to fight for their rights, they set out for a long journey to Siberia to find a mysterious Grand Master.

A provincial who has not found himself, who is over thirty, goes to work in Moscow, where every time he stays for several nights with a distant relative – a lonely middle-aged woman. Their relationship is practically devoid of it, as if the constant unconscious in the form of strange obsessions somehow connects these people, at first glance far from each other.