Lorena López

A series of standalone stories satirizing absurd misfortunes are stitched together by the story of clockmaker Carlo.

Madrid, Spain, 1998. The many resources and skills of Gloria, Paz and Sagrario, three middle-aged women investigating paranormal events, are put to the test when their leader, Father Pilón, has an unpleasant encounter.

Vasil is a Bulgarian immigrant who lives on the street in Spain. Intelligent and charismatic, he has an amazing talent for chess and bridge, so much so, in fact, that despite being homeless, he manages to make a name for himself in an exclusive and prestigious club in the city.

After the death of their father, three siblings return to the family home where they grew up. They intend to sell it and follow their very different paths. But as memories surface in every corner, a fear of getting rid of the past and an impulse to reunite grows in them. As a last tribute to their father, there may still be time to make up for lost time and the house may witness new stories.

The reunion of a group of friends after years without seeing each other will bring out the alcoholic memory of old loves and wounds, and will push them to travel to a past that they fear and long for.

Amaia has just become a mother, and the challenge is even more significant than she imagined. So when her partner has to leave for several weeks because of his job, she decides to spend time with her parents in a lovely coastal village in the Basque Country and hopefully share the responsibility of looking after her baby. However, she forgot that even when one becomes a parent, one never stops being a daughter.

A woman who is 27 weeks pregnant is the victim of an attack and since then she has remained in a coma, hovering between life and death. In such a situation of unconsciousness, bad memories and episodes of violence stir in her mind.

Son confesses to his mother, Ana, that he does not feel like a girl; he is a boy. Confused and blocked, Ana will decide to stop in order to observe and understand him and, in the same way, to understand herself. Ana and Son are two sides of the same coin: a mother who does not take care of herself, of her own identity, and a boy in search of his identity with all his strength.

A woman who wants to help her father to die turns to some mysterious "accomplices" without knowing what their help really entails. New short film by the director of Visitor (2021).

For 80 years, Elías hasn’t been his true self. Until today.

This is the story of a first meeting and, at the same time, a reunion: the moment when Ana sees Clara for the first time.

Eight-year-old Elena prepares for her First Communion while grappling with her grandmother's death. Her friendship with gypsy girl Serezade, inseparable from her goat, makes Elena question her worldview.

Pablo and Blanca have decided to try swinging, but ignore its first and most fundamental rule: to abstain from doing so when things aren't going well in a relationship. To bring this about, Pablo and Blanca each call a friend who is single, Lucas and Mia respectively, thereby ignoring the second cardinal rule: to only swing with another couple.

Every time Laura (in her mid-40s) avoids a new conflict, she adopts a cat, and now she has ten. One day she leaves home on her way to the animal shelter to adopt a new one, but a last-minute burst of lucidity leads her to the office of a psychologist, Ana (in her mid-60s), so that she can help her avoid it. Ana will force her to go back to the moment when the first cat came into her life. Will she manage to avoid it this time? This story will end with a person who has managed to face her problems, or with a new kitten that has managed to be adopted, so one way or another, this is a story with a happy ending.

The Last Supper is a cinematographic experiment carried out in a single day by a group of technicians and actors who come together to shoot a dinner with friends in real time.

No synopsis available yet.

No synopsis available yet.

Mara visits an old friend who lives in the Sierra de Irta, Vera, who did not expect this visit, is about to go to Valencia to spend the Easter holidays. When Vera leaves, Mara makes a strange and irrational decision: to occupy her friend's house for a few days.

Marisa is dying but doesn't want her husband, Juan, to find out. So, before his daily visit, she has Concha put some make-up on her. Based on real events.

This film is Álex Montoya's first feature film: an interesting adaptation of the play La gente by Juli Disla and Jaume Pérez, also screenwriters of the film. The emergence of assembly groups after the political movements after 2011 served their authors to cast a comic look at decision-making processes and the capacity for dialogue of the human being.

A 17th-century Mexican nun defies expectations by becoming a renowned intellectual and writer during the Spanish Inquisition.

Five years after shooting "The Last Supper," an experimental feature film with no budget, a group of film technicians and artists gather to celebrate the film's unexpected success and decide what to do with the profits generated in theaters and digital platforms.

No synopsis available yet.