Gunnar Friberg

Kristoffer lives on the verge of poverty, just barely supporting himself on his photographic work and an allowance given him by his ex-wife to support their child. He is staying in his absentee mother's large old house, which she is preparing to sell. When he takes a photograph of a man who died by his own hand, the image fascinates him. He grows obsessed with the dead man's story and pushes his research as far as it will go.