Song Gyeong-sik

Sa Bangji was an intersex person who according to historical records lived during Korea’s Joseon Dynasty. Taken in by a kindly benefactor, Sa Bangji lives in a monastery that is one day visited by a young widow, Lee So-sa, who is in mourning following the death of her husband. The pair’s meeting seems predestined, with the erotic attraction between Sa Bangji and Lee So-sa soon evolving into something far more transcendent – and dangerous. While aspects of the film – its stylised depiction of female actors and sex – identify it as a product of its time, Sa Bangji is undeniably a milestone in screen representations of intersex people, a film that refuses to shy away from the horrendous stigmatization faced by its titular character.

Eun-bi, an orphaned girl who works as a prostitute, is moved to action when her prostitute friend is brutally gang raped and the police do nothing because her friend was a prostitute. Deciding to run for Korea's parliament, she runs into mob coercion and deception along with way. This movie is a funny but insightful satire of the corruption of Korean elections.

Sa Bangji was an intersex person who according to historical records lived during Korea’s Joseon Dynasty. Taken in by a kindly benefactor, Sa Bangji lives in a monastery that is one day visited by a young widow, Lee So-sa, who is in mourning following the death of her husband. The pair’s meeting seems predestined, with the erotic attraction between Sa Bangji and Lee So-sa soon evolving into something far more transcendent – and dangerous. While aspects of the film – its stylised depiction of female actors and sex – identify it as a product of its time, Sa Bangji is undeniably a milestone in screen representations of intersex people, a film that refuses to shy away from the horrendous stigmatization faced by its titular character.

Eun-bi, an orphaned girl who works as a prostitute, is moved to action when her prostitute friend is brutally gang raped and the police do nothing because her friend was a prostitute. Deciding to run for Korea's parliament, she runs into mob coercion and deception along with way. This movie is a funny but insightful satire of the corruption of Korean elections.