Ondřej Šejnoha

No synopsis available yet.

Aged around 20, Simon has a brain tumour that is gradually destroying his memory and has condemned him to live in the immediate present. From this painful experience, his sister, Nora Štrbová, a filmmaker, has made an organic short animated documentary, which succeeds with a rare formal relevance to represent the inexorable loss of the being.

An interplay of horizontal and vertical lines, as well as other types of lines, found in in the public space, evokes a lyrical narrative combining them into a visual continuity in one image. Among found objects, events, and spaces, new relationships and continuations are created.

Adam Oĺha's father, a well-known Slovak educator and filmmaker, decided to leave his wife and six children and start anew after years of living together. Adam takes his place and starts recording the family's peripeteia. As the eldest of the siblings and the last man in the family, he examines his father's old picture records, compares them with the present and tries to find out what led to this radical change.

Boris and Hugo, 16-year-old friends, arrive at Hugo’s parents’ apartment. They have bought a gun. They set up a livestream video on the internet and announce that in one hour they will commit suicide. While Boris is sure about the decision, Hugo still has his doubts. In the final moments of their lives, sadism, homoeroticism, and destructive desire are released.

The story of school-age boys with behavioural problems. They come from complicated family backgrounds and the question mark of institutional care hangs over their fate.

No synopsis available yet.

Aged around 20, Simon has a brain tumour that is gradually destroying his memory and has condemned him to live in the immediate present. From this painful experience, his sister, Nora Štrbová, a filmmaker, has made an organic short animated documentary, which succeeds with a rare formal relevance to represent the inexorable loss of the being.

An interplay of horizontal and vertical lines, as well as other types of lines, found in in the public space, evokes a lyrical narrative combining them into a visual continuity in one image. Among found objects, events, and spaces, new relationships and continuations are created.

Adam Oĺha's father, a well-known Slovak educator and filmmaker, decided to leave his wife and six children and start anew after years of living together. Adam takes his place and starts recording the family's peripeteia. As the eldest of the siblings and the last man in the family, he examines his father's old picture records, compares them with the present and tries to find out what led to this radical change.

Boris and Hugo, 16-year-old friends, arrive at Hugo’s parents’ apartment. They have bought a gun. They set up a livestream video on the internet and announce that in one hour they will commit suicide. While Boris is sure about the decision, Hugo still has his doubts. In the final moments of their lives, sadism, homoeroticism, and destructive desire are released.

The story of school-age boys with behavioural problems. They come from complicated family backgrounds and the question mark of institutional care hangs over their fate.

A documentary study of the eye and its functions. A compilation of images from various places gives the function of the eye new meanings. It is a tool for instilling fear, the soldier uses it to find his target, and looking into the eye of your executioner can cause him to doubt his actions. What happens when the eye stops looking?

One chance encounter and a night spent together help Magda to discover what she probably doesn't need to live anymore and what she might need.

How we look is often not just our personal choice. What we should look like plays a role as well. Society likes to know who is a woman and who is a man. The ideal woman is thin and shaven, while men do not depilate their legs.

A tragic event in the family, forever marked the relationship between father and son. A fresh breeze into their torn relationship could be a young lady - the son's girlfriend. But the father is bitter and willful.

An adaptation of one of the most famous horror poems of all time. How, in a fever dream, a carver finishes the portrait of a young woman. Then suddenly something flies into the workshop and strange things start happening. Stop-motion animation is combined with live action to create a terrifying experience from flesh, blood, wood and feathers.

A film driven by the chaotic energy of Prague streets. Comprising several direct survey probes, they collectively present a picture of societal apathy and the values ​​of contemporary Czech youth. In addition to the author herself, this is represented by more or less sober young people who unashamedly confide in the camera their attitudes towards the climate crisis, feminism or the war in Ukraine. But they also talk about the meaning of life, the secret of good sex or love, the search for which (and not finding) is one of the central themes of the film.

The concept of apparatgeist expresses how people's relationship to technology is evolving and how their social contacts are changing. The film focuses on the phenomenon of mobile phones, which it presents in the allegorical space of the apparatgeist, a desolate, inhospitable place where the displays of ubiquitous smartphones act as windows into the worlds of internet mundanity and the bizarre, as well as a springboard for interaction with digital devices.

When Eva (14) goes to the lake with her older brother and his friends, she finds herself under her body’s control, of which she is still ashamed at her age.

No synopsis available yet.

There is a classy speedwalker, there is a disabled beggar, there are saintly singers, there are free guns for everyone, there is an extremly heavy suitcase, there are cozy toilet stalls, there is an uncertain forecast, and it all has to make sense eventually, hasn’t it?

An animal rescuer talks about her experience with adoption of handicapped animals. Sharing stories of an old sick Chihuahua, a paralyzed, French Bulldog and a frightened cat finding their perfect human companion.

In a remote spot in the Eastern European countryside, far from the reach of the state, marshy earth is plowed, homemade wine tasted, and hunting rifles prepared—all meticulously observed by a slow-moving camera. From clearing construction waste to slaughtering a pig: the existential dimension of life here can be detected in almost every activity. This is a world that feels stable, yet always on edge, as if the structure could collapse at any moment.

Director Allegra Stodolsky decided to continue her grandmother’s work in telling the story of their relative Lisa Fittko. A timely film which reflects upon the importance of the values fought for, which once again are under threat in today’s Europe. In 1930s Berlin, Fittko became politically active at a young age and joined leftist youth resistance, fighting against the rise of the Nazis. In using archival footage, re-enactment and the voice of Lisa Fittko herself, this documentary tells the story of the courage of a young woman who understood that freedom is not a guarantee and who chose to resist rather than stay silent in the face of oppression.

A short story film presenting four micro-stories of Prague residents and visitors: Panorama, The Lawyer, The Ordinary Timetable, The Secret of the Monument.

The onset of communism changed many people's lives. Children without homes were no longer raised in foster care, but in institutions. Through an interview with a man who grew up in such an institution and a woman who is trying to address the issue from the outside, this documentary shows how, even after thirty years of freedom, the Czech Republic still desperately needs a revolution in this area.

A twisted gay romance set in the 19th Century picturesque Bohemia telling a tabooed true story of birth of one of the nation's most influential writers, starring Julius Feldmeier. Suspense, laughter, violence, hope, heart, nudity, sex and a happy ending—mostly a happy ending.

The earth is scorched; trees are dying; species are becoming extinct; rivers are drying up. Human interventions have thrown the ecosystem off balance. The irreversible changes will have a devastating impact. A trip of a young urban couple to the country provides a base for a spontaneous poetic contemplation on dried-up landscape and mankind's environmental grief. Nature has ceased to be a relaxing place.

This personal essay relates the perception of space to the mental universe of screenwriter and director Pavel Juráček who found his “truly ideal place” in the town of Příbram. The sensitive combination of journal entries, intimate notes, and film fragments tries to break down conventional storytelling techniques to build an original world of timeless thinking.