Doris Hepp

Lucy, who is already human-like, claims that the first humans were mothers: The mother built a nest to secure the child when it became too heavy to carry. This is how she invented the house. She penetrated the dense branches with her voice to maintain contact with the child. That's how she invented language. Today, Lucy shakes her head and asks: "How did you let yourself be dragged down like that?".

In this poetic and mystical work, light itself takes center stage and tells its story through images rather than words. At five different locations, various light sources come to life, accompanied by music, and interact with one another. The film uses unusual artificial light and sound installations as well as elements of expressive dance to present the diverse expressive possibilities of the visual arts. Without a continuous plot, but full of anecdotal, condensed scenes, a fascinating and challenging narrative unfolds.

A tiny classroom is a meeting point and a shelter for those who have come to Spain driven by the "European dream" to start a new life. Brought together by fate, these immigrants share disillusionment, alienation and yearn for a return home.

In May 1980, more than 800 people lived for 33 days near Gorleben in the protest camp ‚Free Republic of Wendland‘ and thus prevented for a short time drilling for the planned nuclear waste repository in the nearby salt dome.

Lucy, who is already human-like, claims that the first humans were mothers: The mother built a nest to secure the child when it became too heavy to carry. This is how she invented the house. She penetrated the dense branches with her voice to maintain contact with the child. That's how she invented language. Today, Lucy shakes her head and asks: "How did you let yourself be dragged down like that?".

In this poetic and mystical work, light itself takes center stage and tells its story through images rather than words. At five different locations, various light sources come to life, accompanied by music, and interact with one another. The film uses unusual artificial light and sound installations as well as elements of expressive dance to present the diverse expressive possibilities of the visual arts. Without a continuous plot, but full of anecdotal, condensed scenes, a fascinating and challenging narrative unfolds.

A tiny classroom is a meeting point and a shelter for those who have come to Spain driven by the "European dream" to start a new life. Brought together by fate, these immigrants share disillusionment, alienation and yearn for a return home.

In May 1980, more than 800 people lived for 33 days near Gorleben in the protest camp ‚Free Republic of Wendland‘ and thus prevented for a short time drilling for the planned nuclear waste repository in the nearby salt dome.