Dino Bajrović

Bosnia, July 1995. Aida is a translator for the UN in the small town of Srebrenica. When the Serbian army takes over the town, her family is among the thousands of citizens looking for shelter in the UN camp. As an insider to the negotiations Aida has access to crucial information that she needs to interpret. What is at the horizon for her family and people – rescue or death? Which move should she take?

Mirsad is a 62-year-old electrician who was raised and lives in a patriarchal society. His daily routine changes after the sudden death of his wife Enisa. Mirsad stays alone while his grown children live their own lives. As Mirsad tries to get used to a life without his wife, he realizes that he took her for granted and had not given her the love and care she deserved. Mirsad's relationship with his estranged son worsens after he discovers that the son lives with a male friend.

After finding out he owes money for college tuition, a small-time drug dealer and "perpetual student" decides to get his hands on a larger quantity of narcotics, not knowing that circumstances will place him in direct contact with the police.

The film points to the problem of the emergence of organised prostitution within a society that culminates in periods of economic and social crisis. After gaining their wealth, some of the leaders found themselves in high positions especially in state institutions and administrative structures.

Three friends are hanging out on the roof in Sarajevo. Their hangout is interrupted by the Yugoslavian time traveler who explains them that they are in danger and need to use the time machine to go back to Yugoslavia and warn people that the future generations messed up. They travel back in time to find themselves not in Yugoslavia, but in Iran. Clash of the cultures is evident, and they are forced to hide their identity. But the more they discover the city, the more they realize it is scarily similar to their own.

Inheriting the club Trend, brothers Zlatan and Vedran embark on running the family business, each in their own absurd way.

Upon learning that a planned school trip was postponed due to financial constraints, high-school student Alem – an orphan who lives with his grandmother – decides to take matters into his own hands and secure the money for the trip in whatever way possible. Alem’s manliness and credibility are put to test when his criminal role model Paze suggests robbing a supermarket.

A young man is about to leave Bosnia for Luxembourg in search for a better life there, and says goodbye to the city he grew up in.

Snorty a rehabilitated outsider tries to find a place for himself in a society in transition. All his past sins will come to haunt him and show him that personal transformation is impossible.

Arman is about to turn 18. He was adopted as a baby by Jasna and Senad, who were unable to have children of their own. However, four years after the adoption, Jasna gives birth to Dado. Throughout his life, Arman has had a hard time coping with being an adopted child. Full of explosive energy, he constantly gets in trouble together with his schoolmates. Despite being very intelligent, he is labelled as a problem child. The only place he feels safe and loved is with Jasna’s parents. At the same time, Arman does all he can to save Dado from self-destructing. However, despite everything he does to support his brother, his parents interpret Arman’s involvement incorrectly, and blame him for every trouble with Dado.

The film is set in a Serbian prison, in the love rooms, where prisoners are allowed to have intimate relations with their married and extramarital partners, who come to visit them.

Tica (Birdy) a war orphan arrives to Sarajevo with his newborn daughter urgently needing surgical procedure. Facing his new appalling reality, Tica embarks into the night where demons of the past are always ready.