Nasrdin Dchar

In Nazi-occupied Amsterdam, Walter Süskind is a member of the Dutch Jewish Council who rescues hundreds of children from the concentration camps.

Using each other as alibis, two friends sneak off to indulge in secret affairs — but their elaborate web of lies unravels when one of them goes missing.

Jörgen's world is crumbling. Forced into early retirement and harassed by his ex-wife, the only part of his life which makes sense - his beloved daughter Tirza - is shattered when she disappears on holiday in Namibia. After weeks of terrifying uncertainty, Jörgen goes searching for her, but the heat, his drinking and bad memories combine to unhinge him. His only ally is a child prostitute called Kaisa. Together they journey into the wilderness on Tirza's trail to discover her fate.

An intelligent woman keeps falling for the wrong guy. With her latest lover David and a kilo of cocaine in her purse she barely escaped an arrest. Back in Holland she starts a B&B. Her first guest is the attractive Aziz, who wants to steal an old Moroccan mosaic at the International Art Fair.

Student film from Joris van den Berg when he was at the NFTA now called NFA (Netherlands Film Academy)

An Italian car salesman wants to impress the woman of his dreams, but he gets entangled in his own web of lies.

A thirty-something aspiring children's author, labeled "meskina" (pity case) by her Moroccan-Dutch community for still being career-less and single, sets out to once and for all find professional success and true love.

Three friends drive from Holland to Morocco to deliver a taxi to a family friend, but the trip turns out more complicated than expected.

A promising kickboxer struggles to resist the temptations of a life of crime.

Moroccan-Dutch actor and stage performer Nasrdin Dchar attempts to make sense of the chaos that was the year 2020.

When Wendy enters a public toilet heartbroken, unconsciously her tears awaken a darker force and it appears that she is not alone anymore.

Rotterdam, the Moroccan-Dutch Karim tells his parents that he is attracted to men. After years of keeping up appearances, the word is finally out. The difficult days that follow evoke beautiful and poignant memories. He realizes that he has to confront his family to finally break the silence. But in order to be accepted, he must come to terms with his own feelings first.

As the whole country is preparing for the World Cup, all characters are confronted with the Dutch ‘Orange Fever’, which seems to either bring them closer together, or drift them apart.

If you pursued populism, cancel culture and hatred on social media to their extremes, perhaps you would get a weekly, crowd-pulling reality show in which viewers can vote for which compa­triot must be executed — liter­ally. This brazen thriller follows Salman Seegers, who starts working for the Sterf­show (Death Show) as a pathol­o­gist. It comes easy to him, until a candi­date ends up on top of the Death List who is very dear to him.

Dexter's controlled life gets thrown into confusion when a girl appears on his work that looks exactly like his girlfriend Stella. At home his beloved Stella doesn't understand what's going on and she starts questioning their relationship. Dexter's life deteriorates furthermore: traffic bills keep coming in, he is banned from his trusted working place, Stella breaks up with him, and his boss sends him on an immediate leave. When Dexter has crashed several cars, he is arrested by the police and taken to hospital. There he is told that a stroke has caused him a brain damage in his right hemisphere. Consequently he doesn't see left anymore and his sense of reality has been affected: he sees the same people everywhere. Dexter has to learn to live in a world wherein people look alike.

A piece of news, delivered by two officers in a police car, changes the lives of a family forever. As the journey to track down the next of kin progresses, the vehicle becomes more and more crowded with family members, picked up from home, work, the hairdressers. As they sit in the backseat, alone with their thoughts, what they thought they knew about life, about relationships, has been violently altered.

Highly intelligent hacker Lillian joins a cybersecurity company in order to gain access to the bank where her father used to work. She discovers nothing is what it seems and it turns out she isn’t the only one pretending to be someone else. But where do we draw the line between activism and terrorism?

For most Dutch people, the COVID-19 lockdown proclaimed by PM Rutte is no picnic. However, for Hussein, who suffers from agoraphobia, a world opens up.

Three friends with different cultural origins find an abandoned washing machine while playing. To their shock, they find out that the washing machine has strange powers: their heads are swapped by sticking them in the washing machine. When it turns out their heads can't be swapped back, they must go back home with each other's heads. Because their households have very different habits and traditions, they end up in awkard situations. Through these situations, they learn a lot of new things about each other.

After bouncing back from leukemia, 10-year-old Mike is ready to leave the hospital, but his mother never arrives to take him home.

In this dry short film, the Moroccan actor Nasrdin is asked for a role in a historical adaptation of a book about Islamic male harems. Nasrdin is reluctant to play the character, because it is a gay man. In the days preceding his decision, his girlfriend thinks he is taciturn and his Moroccan friends jeer him.

A mosaic film about a group of people in the city of Rotterdam, The Netherlands strugging with loneliness, hope and love.

In this smart and incisive thriller, a Dutch cop of Moroccan heritage goes undercover in a Moroccan drug ring and finds there a feeling of belonging he never experienced in "normal" society.

Acquitted of a fatal on-duty incident but tormented by its harrowing personal repercussions, a police officer and impending father struggles to piece his uprooted life back together while sent on leave to a holiday resort in Greece.

Moroccan-Dutch actor and stage performer Nasrdin Dchar attempts to make sense of the chaos that was the year 2020.

Younes, known as Taxi, finds himself trapped and powerless in his own home in Morocco. His wife, Samira, has seized total control over his life and that of their children. Tensions run high between Taxi and Samira’s family, especially with her ruthless nephew, Ashraf, who has sworn to kill Taxi from their very first encounter. Ashraf sees Taxi as a significant threat due to his (yet unsigned) statements to the Dutch police. Samira agrees to eliminate Younes, the father of her children.