Dick Verdult

"Chipadelia", "The poor man's Pink Floyd", "psychedelic space chamamé"... Dazzle Lights demands a certain amount of creativity from Dick el Demasiado, Alan Courtis and other music journalists as they seek to describe the indescribable Síquicos Litoraleños. Alejandro Gallo Bermúdez never tries to profile the members of the band from Curuzú Cuatiá; the director appears to respect the privacy of a group that keeps its distance with different outfits and an ongoing quest to alter perceptions. The documentary shifts between the cultural shockwaves made by the group from Corrientes at home and at European festivals and the unintended creation of a rural psychedelic scene at the North-East of Argentina, as well as an unexpected clash with the Curuzú Cuatiá native Cristian Osorio, found of the now defunct group Saltimbankis.

The career of Eindhoven-based artist and musician Dick Verdult spans decades. He is seen as an outsider, as 'the last Dada-ist'. But what we experience as elusiveness turns out to be quite controlled and firstly funded on very personal experiences from his childhood as a 'Philips child' in Latin America. Rather than experiencing globalism as a problem, Verdult is like a cheerful, transcultural mutant. We see how, at the age of 60, he has become a cult musician in South America, Russia and Japan and is increasingly recognised internationally as a visual artist. This documentary explores Verdult's multidisciplinary, international art practice. We see Verdult at work in his studios in Bergeijk (The Netherlands) and Calanda (Spain) and on tour in Peru, Colombia and Argentina.

A town in Aragon commemorates a battle in the Bay of Matanzas. No one wants to play Spanish admiral Benavides, who abandoned his ships and treasures without a fight. An absurd historical choreography of a battle with no casualties, with the eccentric style of the multifaceted Dick el Demasiado.

A town in Aragon commemorates a battle in the Bay of Matanzas. No one wants to play Spanish admiral Benavides, who abandoned his ships and treasures without a fight. An absurd historical choreography of a battle with no casualties, with the eccentric style of the multifaceted Dick el Demasiado.

A town in Aragon commemorates a battle in the Bay of Matanzas. No one wants to play Spanish admiral Benavides, who abandoned his ships and treasures without a fight. An absurd historical choreography of a battle with no casualties, with the eccentric style of the multifaceted Dick el Demasiado.

The Spijkerbergs are an absurdly rich family, but they are also richly absurd. The father – a foolish, hotshot financier – collects miniature dioramas of historical atrocities as a hobby. Mother is a has-been prima donna fighting against the vagaries of age and fame. Inheriting their privilege and casual cruelty is daughter Amy, a rebellious if somewhat insular teenager longing to break out of her gilded cage. To gain a semblance of control over her cocooned existence, Amy produces an autobiographical mock-Kabuki performance that parodies her family.

The Spijkerbergs are an absurdly rich family, but they are also richly absurd. The father – a foolish, hotshot financier – collects miniature dioramas of historical atrocities as a hobby. Mother is a has-been prima donna fighting against the vagaries of age and fame. Inheriting their privilege and casual cruelty is daughter Amy, a rebellious if somewhat insular teenager longing to break out of her gilded cage. To gain a semblance of control over her cocooned existence, Amy produces an autobiographical mock-Kabuki performance that parodies her family.