Katharina Huber

Passengers on a cruise ship are forced to come to terms with their inevitable doom. The female captain looks for the right words, and a group of children wants to do something nice for an animal that has died.

Margarita and Güte live in an unhealthy and stagnant environment that they can neither leave nor change. Meanwhile, the radio broadcasts messages and the world awaits the launch of the spacecraft that will take humans to the edge of the solar system. When Maria falls ill, Margarita persuades Güte to do something, but they fail and become separated until they realize what the real hurdle is.

The comedy film between Caribbean, Atlantic, and the Mediterranean! A funny and bizarre comedy experience on board of the dream ship MS Melody with six chaotic Franconians – delightfully comically between pure nonsense and sparkling wit. Plus, dreamlike pictures from the Caribbean, the Atlantic, and the Mediterranean Sea! Heißmann and Rassau in triplicate: As the Franconian couple Annelise and Georg Kaltengruber, as the two widows Mariechen and Waltraud, and of course as the goofball duo Hepp and Depp. And what all happens when a small bunch of Franconians embarks on a snow-white cruise ship is at times completely ludicrous.

Autumn 2024, in the field and in the forest. Shining blades. A mediation on an object, its purpose in human hands and in the eternity and repetition of time and space.

Some days she imagines that by her sheer will she can make body parts fall off of people who seem vicious to her. And some other days everyone around her looks beautiful. And when she was little, she wished that flowers would grow out of her footprints.

A paradise is emerging on earth. It is neither a dream nor a utopian delusion but an opportunity for a new kind of society. A step beyond the human as it has been known. A step we don’t dare to consummate.

Margarita and Güte live in an unhealthy and stagnant environment that they can neither leave nor change. Meanwhile, the radio broadcasts messages and the world awaits the launch of the spacecraft that will take humans to the edge of the solar system. When Maria falls ill, Margarita persuades Güte to do something, but they fail and become separated until they realize what the real hurdle is.

Margarita and Güte live in an unhealthy and stagnant environment that they can neither leave nor change. Meanwhile, the radio broadcasts messages and the world awaits the launch of the spacecraft that will take humans to the edge of the solar system. When Maria falls ill, Margarita persuades Güte to do something, but they fail and become separated until they realize what the real hurdle is.

Margarita and Güte live in an unhealthy and stagnant environment that they can neither leave nor change. Meanwhile, the radio broadcasts messages and the world awaits the launch of the spacecraft that will take humans to the edge of the solar system. When Maria falls ill, Margarita persuades Güte to do something, but they fail and become separated until they realize what the real hurdle is.

Autumn 2024, in the field and in the forest. Shining blades. A mediation on an object, its purpose in human hands and in the eternity and repetition of time and space.

Autumn 2024, in the field and in the forest. Shining blades. A mediation on an object, its purpose in human hands and in the eternity and repetition of time and space.

Some days she imagines that by her sheer will she can make body parts fall off of people who seem vicious to her. And some other days everyone around her looks beautiful. And when she was little, she wished that flowers would grow out of her footprints.

Some days she imagines that by her sheer will she can make body parts fall off of people who seem vicious to her. And some other days everyone around her looks beautiful. And when she was little, she wished that flowers would grow out of her footprints.

A paradise is emerging on earth. It is neither a dream nor a utopian delusion but an opportunity for a new kind of society. A step beyond the human as it has been known. A step we don’t dare to consummate.

Chris Pitsiokos, solo saxophone, March 2019. Recorded on the mezzanine of the 14th street F subway station in New York.