Nicola Prosatore

Je so’ pazzo is an intense portrait of Pino Daniele—a rebellious soul born in the alleys of Naples who revolutionized Italian music by blending blues, jazz, and Neapolitan tradition. The film chronicles his rise, from a childhood marked by abandonment to his legendary 1981 concert before a crowd of 200,000. Amidst family conflicts, personal vulnerabilities, and deep loves, Pino finds a musical language to express what words cannot. Yet success brings new challenges: an unresolved relationship with his father, the burden of expectations, and the risk of repeating past mistakes. It is not merely the story of an extraordinary musician, but that of a man grappling with himself, seeking reconciliation with his roots and the love of a city that never stopped waiting for him.

The Lo Giglio couple receive a visit from a man who introduces himself as an agent of the Camorra. He has come to collect the money needed to keep their son Damiano in hiding, now more than 18 years away from home. The scene repeats itself every four to five months, and this regular appointment is a way for the parents to feel close to him and hope that everything is going well.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

A docu-film about the events related to the murder of a Roman boy of Macedonian origins, Luca Varani, 23, which took place on the morning of 4 March 2016. Manuel Foffo, a 29-year-old university student, from a wealthy family, confesses to his father Valter the atrocious crime committed during a sex and drug-based party that lasted three days and three nights and which involved another boy named Marco Prato, thirty years old, homosexual and well known in the Roman environment of organized parties. Manuel and Marco, totally addicted to alcohol and cocaine, allegedly lured Luca Varani into Manuel's apartment on a pretext to then drug him, torture him and finally kill him cruelly with hammers and stabs. Manuel Foffo will plead guilty and will be sentenced to thirty years in prison with the abbreviated procedure, while Marco Prato, who will claim to be innocent and only subjected (for love) to Manuel's will, will commit suicide the day before the start of the trial.

Je so’ pazzo is an intense portrait of Pino Daniele—a rebellious soul born in the alleys of Naples who revolutionized Italian music by blending blues, jazz, and Neapolitan tradition. The film chronicles his rise, from a childhood marked by abandonment to his legendary 1981 concert before a crowd of 200,000. Amidst family conflicts, personal vulnerabilities, and deep loves, Pino finds a musical language to express what words cannot. Yet success brings new challenges: an unresolved relationship with his father, the burden of expectations, and the risk of repeating past mistakes. It is not merely the story of an extraordinary musician, but that of a man grappling with himself, seeking reconciliation with his roots and the love of a city that never stopped waiting for him.

Je so’ pazzo is an intense portrait of Pino Daniele—a rebellious soul born in the alleys of Naples who revolutionized Italian music by blending blues, jazz, and Neapolitan tradition. The film chronicles his rise, from a childhood marked by abandonment to his legendary 1981 concert before a crowd of 200,000. Amidst family conflicts, personal vulnerabilities, and deep loves, Pino finds a musical language to express what words cannot. Yet success brings new challenges: an unresolved relationship with his father, the burden of expectations, and the risk of repeating past mistakes. It is not merely the story of an extraordinary musician, but that of a man grappling with himself, seeking reconciliation with his roots and the love of a city that never stopped waiting for him.

The Lo Giglio couple receive a visit from a man who introduces himself as an agent of the Camorra. He has come to collect the money needed to keep their son Damiano in hiding, now more than 18 years away from home. The scene repeats itself every four to five months, and this regular appointment is a way for the parents to feel close to him and hope that everything is going well.

The Lo Giglio couple receive a visit from a man who introduces himself as an agent of the Camorra. He has come to collect the money needed to keep their son Damiano in hiding, now more than 18 years away from home. The scene repeats itself every four to five months, and this regular appointment is a way for the parents to feel close to him and hope that everything is going well.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

A docu-film about the events related to the murder of a Roman boy of Macedonian origins, Luca Varani, 23, which took place on the morning of 4 March 2016. Manuel Foffo, a 29-year-old university student, from a wealthy family, confesses to his father Valter the atrocious crime committed during a sex and drug-based party that lasted three days and three nights and which involved another boy named Marco Prato, thirty years old, homosexual and well known in the Roman environment of organized parties. Manuel and Marco, totally addicted to alcohol and cocaine, allegedly lured Luca Varani into Manuel's apartment on a pretext to then drug him, torture him and finally kill him cruelly with hammers and stabs. Manuel Foffo will plead guilty and will be sentenced to thirty years in prison with the abbreviated procedure, while Marco Prato, who will claim to be innocent and only subjected (for love) to Manuel's will, will commit suicide the day before the start of the trial.

After a bitter disappointment in love, the beautiful Lucia decides to take back her life and let herself go to some adventures. Two friends, however, end up falling in love with her.

Anna is 13, on the keyboard of the piano she should learn to play are her tricks stolen from her mother. Her meeting with Peppino and Mariuolo will make her to take the step that separates childhood from the future.

Anna is 13, on the keyboard of the piano she should learn to play are her tricks stolen from her mother. Her meeting with Peppino and Mariuolo will make her to take the step that separates childhood from the future.

Anna is 13, on the keyboard of the piano she should learn to play are her tricks stolen from her mother. Her meeting with Peppino and Mariuolo will make her to take the step that separates childhood from the future.

Oscar is a man torn between his political ambitions and his desire for fatherhood. Two objectives, apparently distant and irreconcilable, for which he seems really willing to do anything.

Oscar is a man torn between his political ambitions and his desire for fatherhood. Two objectives, apparently distant and irreconcilable, for which he seems really willing to do anything.