Ramaprasad Banik

Natobar, like any other typical Bengali lad, wants to be a poet. He is unsuccessful in all his attempts while dabbling with poetry. Rabindranath Tagore visits him in his sleep and gives him a boon - he is endowed with Tagore's poetic prowess but for a limited period.

Dujone has the college-going Meghna (Srabanti) and Akash (Dev) falling for each other. But with Meghna's dad being in the fish business as opposed to Dev's industrialist dad, objections are an obvious progression. Things get murkier and gory what with Akash's dad keeping him caged in Siliguri and Meghna's against-romance pishi (Seema) keeping a hawk's eye on her every move. And just when you thought you've seen the best of De's muscle flexing and Srabanti's desperation to meet Akash, in comes a contract killer (Arijit) employed by Akash's dad to finish off Meghna. As all action stories should end, Dujone too reaches a fitting finale with Meghna-Akash's love triumphing over all odds.

A dysfunctional family endures chronic illness, unplanned pregnancy, emotional instability, inappropriate affairs, and a host of other issues.

After losing his grandfather at a very young age, Jibon finds himself in troubled waters when his father, Sunanda's friend, Nikhil, dupes him into signing off all the property. Nikhil even goes ahead and admits Sunanada in a mental hospital. Years pass by and Jibon grows up to become a police officer. As a police officer will Jibon be able to find his father Sunanda and punish Nikhil accordingly?

Several interested parties search for the house of a scientist who lived 150 years ago, believing that it contains his mysterious invention. A young boy is named the heir to the scientist’s house. Hidden in an underground chamber beneath the house is a strange musical instrument capable of putting anyone who hears it to sleep for several years. Among those seeking the instrument is also an alien from another world who has come to Earth specifically to obtain it.

Kesto lost his parents and comes to his step-sister's house seeking a familial bond. However, he is ill-treated by some family members until he meets a woman who treats him like her own son.

Directed by Milan Bhowmik. Featuring Ronit Roy, Ramaprasad Banik, Abhishek Chatterjee, Chumki Chowdhury, Ranjit Mallick and more.

An honest man is falsely accused and jailed. When he learns that he has a twin brother who is a meek police inspector, he pretends to be the policeman in order to nab culprits and find his lost uncle.

It revolves around a romantic story rooted deeply in an incident of the lead character Ananda’s previous life. Trapped in between two timelines, the story delves into a period when a bunch of youngsters was ready to sacrifice their lives for India’s freedom. Sadly, the treachery of one destroyed their dreams and ended their lives.

A greedy father makes a decision to change his daughter's betrothed for Rupees 20,000 per month. A fight ensues.

Dilip and Mukundo, both married with a child each, live in a building in the city of Kolkata. Both the families do not mix due to the difference in status. A new tenant moves into the building, inadvertently bringing trouble with her.

The lives of two stepbrothers, Sawjol and Kajol, takes an ugly turn when Sawjol, the elder brother, gains the entire ancestral wealth and property whereas Kajol does not receive his share. Because of some misunderstanding both the brothers fight with each other.

Madhabi Is Forced To Leave Her House Because Her Husband Suspects That She Has Been Raped And Impregnated By Goons. Her children leave the house as well. Years later, destiny brings the family together, and Madhabi sets out to change her husband's perspective. Was she really ravaged? Or did she fall victim to an elaborate conspiracy?

No synopsis available yet.

L. Chowdhury, a simple villager, who lives with his sister, finds his life turned upside down because of an unexpected accident.

A movie about a young man who did not believe in marriage. As being educated in the city of Kolkata got influenced by the terms of Brahmo Samaj and thought of separation with his wife who was not of his choice but destiny and time made him understand the importance in the institution of marriage and he realized his love for his wife.