Thomas Bertay

A mental journey - historical, political, musical and metaphysical - in contemporary times, from the Sixties until nowadays.

The 1990s to the present, through the main wars of the last decades - from Iraq to Libya - but also the influence of the East on modern Western musicians (Eyvind Kang, Jessika Kenney, Trey Spruance)

The concept includes a series of shorts titled "Dispositif + No + title". They all deal with subjects mixed in a unique and unusual presentation. It is an inventively surreal image and sound experience. It is Jean Cocteau for the twenty-first century.

As a novelist, actress/screenwriter for François Ozon and director, Marina de Van is fearless, always eager to deal with taboos and expose herself. Mostly home-made and shot under the radar, Ma nudité ne sert à rien is a brave self-portrait of de Van as a forty-something wandering soul, asking herself about her work, body and relationships in the age of dating apps and one-night stands.

A mental journey - historical, political, musical and metaphysical - in contemporary times, from the Sixties until nowadays.

A mental journey - historical, political, musical and metaphysical - in contemporary times, from the Sixties until nowadays.

A mental journey - historical, political, musical and metaphysical - in contemporary times, from the Sixties until nowadays.

The 1990s to the present, through the main wars of the last decades - from Iraq to Libya - but also the influence of the East on modern Western musicians (Eyvind Kang, Jessika Kenney, Trey Spruance)

The 1990s to the present, through the main wars of the last decades - from Iraq to Libya - but also the influence of the East on modern Western musicians (Eyvind Kang, Jessika Kenney, Trey Spruance)

The concept includes a series of shorts titled "Dispositif + No + title". They all deal with subjects mixed in a unique and unusual presentation. It is an inventively surreal image and sound experience. It is Jean Cocteau for the twenty-first century.

The concept includes a series of shorts titled "Dispositif + No + title". They all deal with subjects mixed in a unique and unusual presentation. It is an inventively surreal image and sound experience. It is Jean Cocteau for the twenty-first century.

As a novelist, actress/screenwriter for François Ozon and director, Marina de Van is fearless, always eager to deal with taboos and expose herself. Mostly home-made and shot under the radar, Ma nudité ne sert à rien is a brave self-portrait of de Van as a forty-something wandering soul, asking herself about her work, body and relationships in the age of dating apps and one-night stands.

A mental journey - historical, political, musical and metaphysical - in contemporary times, from the Sixties until nowadays.