Laura Miranda

After escaping a violent relationship, a woman tries to rebuild her life, until a spider exhibition opens a crack in her present. What seemed like an ordinary visit turns into an intimate journey through the memories that still haunt her.

Do we perceive things as they truly are? Can the assumption that we do leads to dangerous positions, as racism or xenophobia? This documentary reflects on issues like migration, border walls, and the restriction of human mobility from the perspective of people whose field of study could hardly be more detached from these issues: astronomers.

A girl tries to masturbate.

In May 2014, a large group of riot police clashed with the inhabitants of San Bartolo Ameyalco, who were defending the water from their spring. This is the perspective of the children of the community, most of them nephews of Eduardo, who was arrested that day.

Ana spends the entire day watching through the window. She is looking for something in the apartment across the street, perhaps a sign. Maybe, deep down, there is something Ana refuses to accept.

Cineminuto created amidst a pandemic.

After escaping a violent relationship, a woman tries to rebuild her life, until a spider exhibition opens a crack in her present. What seemed like an ordinary visit turns into an intimate journey through the memories that still haunt her.

After escaping a violent relationship, a woman tries to rebuild her life, until a spider exhibition opens a crack in her present. What seemed like an ordinary visit turns into an intimate journey through the memories that still haunt her.

Do we perceive things as they truly are? Can the assumption that we do leads to dangerous positions, as racism or xenophobia? This documentary reflects on issues like migration, border walls, and the restriction of human mobility from the perspective of people whose field of study could hardly be more detached from these issues: astronomers.

Do we perceive things as they truly are? Can the assumption that we do leads to dangerous positions, as racism or xenophobia? This documentary reflects on issues like migration, border walls, and the restriction of human mobility from the perspective of people whose field of study could hardly be more detached from these issues: astronomers.

A girl tries to masturbate.

A girl tries to masturbate.

A girl tries to masturbate.

In May 2014, a large group of riot police clashed with the inhabitants of San Bartolo Ameyalco, who were defending the water from their spring. This is the perspective of the children of the community, most of them nephews of Eduardo, who was arrested that day.

In May 2014, a large group of riot police clashed with the inhabitants of San Bartolo Ameyalco, who were defending the water from their spring. This is the perspective of the children of the community, most of them nephews of Eduardo, who was arrested that day.

Ana spends the entire day watching through the window. She is looking for something in the apartment across the street, perhaps a sign. Maybe, deep down, there is something Ana refuses to accept.

Ana spends the entire day watching through the window. She is looking for something in the apartment across the street, perhaps a sign. Maybe, deep down, there is something Ana refuses to accept.

Ana spends the entire day watching through the window. She is looking for something in the apartment across the street, perhaps a sign. Maybe, deep down, there is something Ana refuses to accept.

Cineminuto created amidst a pandemic.

Virginia, an elderly writer, starts to pen her autobiography, when her character suddenly refuses to play her role in the story. She insists that she wants to tell the truth.

Virginia, an elderly writer, starts to pen her autobiography, when her character suddenly refuses to play her role in the story. She insists that she wants to tell the truth.

A place that seems out of time for everyday life, a long line of women waiting. And inside a room, three of them sitting... a cello piece transports them to their own experience of pleasure, body and eroticism. An exploration from a female perspective of the audiovisual and its ability to produce pleasure beyond narrative schemes. Female pleasure, liberation, feminism, gender, appropriation of the body, sexual freedom, women, cello, music, old age.

A place that seems out of time for everyday life, a long line of women waiting. And inside a room, three of them sitting... a cello piece transports them to their own experience of pleasure, body and eroticism. An exploration from a female perspective of the audiovisual and its ability to produce pleasure beyond narrative schemes. Female pleasure, liberation, feminism, gender, appropriation of the body, sexual freedom, women, cello, music, old age.

The mission seemed simple; stealing the talisman wouldn't be difficult. But now, Ana is running for her life, searching for an escape, looking for any possible way out.