Directing
Andrea Simon
Known for
Directing
Credits
6 titles
Known for
NRThis enigmatic short film presents fifty Egyptian funerary portraits from the region of Fayum. Painted during Roman rule between 100 and 300 A.D., these striking, psychological works were executed in encaustic while their subjects were alive and later used to cover their faces after mummification. Narration includes excerpts from late Hellenistic texts including religious works and first-hand accounts from the dwellers of Fayum themselves, along with commentary from the art historian Richard Brilliant.
The Fayum Portraits: Funerary Painting of Roman Egypt
1988
NRAs a teenager in wartime Bulgaria, Wagenstein commanded a daredevil Jewish partisan brigade, surviving capture and torture by fascist police. At 94 years old, screenwriter, author and revolutionary Angel Wagenstein offers an account of his life in film and politics. Film clips contextualize historical moments and history contextualizes the films as Wagenstein provides witty and insightful commentary throughout.
Angel Wagenstein: Art Is a Weapon
2017
After 1933, Hollywood became "a ghetto under Pacific palms,” home to refugee artists like Fritz Lang, Thomas Mann, Bertolt Brecht, Arnold Schoenberg. Salka was a brilliant Austrian ex-actress and MGM’s most highly paid screenwriter: her Sunday salons were the exiles' refuge and rescue. “It’s more that I’m asking than a bed for the night. It’s a chance to talk of home…” [Greta Garbo, in Salka's script for QUEEN CHRISTINA] "The climate alone is enough to drive you meshuggeh!" [Hannah Arendt]
Salka Viertel: Every Sunday
—
This special program gives viewers a revealing look at Sellar's controversial productions of Mozart's Don Giovanni, Marriage of Figaro and Cosi Fan Tutte.
Destination Mozart: A Night at the Opera with Peter Sellars
1990
Behind the camera
NRThis enigmatic short film presents fifty Egyptian funerary portraits from the region of Fayum. Painted during Roman rule between 100 and 300 A.D., these striking, psychological works were executed in encaustic while their subjects were alive and later used to cover their faces after mummification. Narration includes excerpts from late Hellenistic texts including religious works and first-hand accounts from the dwellers of Fayum themselves, along with commentary from the art historian Richard Brilliant.
The Fayum Portraits: Funerary Painting of Roman Egypt
1988
NRAs a teenager in wartime Bulgaria, Wagenstein commanded a daredevil Jewish partisan brigade, surviving capture and torture by fascist police. At 94 years old, screenwriter, author and revolutionary Angel Wagenstein offers an account of his life in film and politics. Film clips contextualize historical moments and history contextualizes the films as Wagenstein provides witty and insightful commentary throughout.
Angel Wagenstein: Art Is a Weapon
2017
NRAs a teenager in wartime Bulgaria, Wagenstein commanded a daredevil Jewish partisan brigade, surviving capture and torture by fascist police. At 94 years old, screenwriter, author and revolutionary Angel Wagenstein offers an account of his life in film and politics. Film clips contextualize historical moments and history contextualizes the films as Wagenstein provides witty and insightful commentary throughout.
Angel Wagenstein: Art Is a Weapon
2017
After 1933, Hollywood became "a ghetto under Pacific palms,” home to refugee artists like Fritz Lang, Thomas Mann, Bertolt Brecht, Arnold Schoenberg. Salka was a brilliant Austrian ex-actress and MGM’s most highly paid screenwriter: her Sunday salons were the exiles' refuge and rescue. “It’s more that I’m asking than a bed for the night. It’s a chance to talk of home…” [Greta Garbo, in Salka's script for QUEEN CHRISTINA] "The climate alone is enough to drive you meshuggeh!" [Hannah Arendt]
Salka Viertel: Every Sunday
—
After 1933, Hollywood became "a ghetto under Pacific palms,” home to refugee artists like Fritz Lang, Thomas Mann, Bertolt Brecht, Arnold Schoenberg. Salka was a brilliant Austrian ex-actress and MGM’s most highly paid screenwriter: her Sunday salons were the exiles' refuge and rescue. “It’s more that I’m asking than a bed for the night. It’s a chance to talk of home…” [Greta Garbo, in Salka's script for QUEEN CHRISTINA] "The climate alone is enough to drive you meshuggeh!" [Hannah Arendt]
Salka Viertel: Every Sunday
—
This special program gives viewers a revealing look at Sellar's controversial productions of Mozart's Don Giovanni, Marriage of Figaro and Cosi Fan Tutte.
Destination Mozart: A Night at the Opera with Peter Sellars
1990
