German Lavrov

Zhora Sorokarossiysky, a well-known master of stuffed birds and animals, is essentially patient and kind. But his wife's overbearing character and her endless scolding about his strange work once awakened in him the desire to leave home.

Originally called World '68, later retitled The World of Today Romm’s film was conceived as an impassioned, large-scale essay on the origins of the 20th century and the subsequent reality the disappointed director felt slipping away from him. The film itself slipped away from him and was left unfinished at the time of his death. His younger colleagues, Marlen Khutsiev, Elem Klimov and German Lavrov, completed the film from the elements he left behind in addition to segments from Ordinary Fascism, closing the film with Romm’s ultimately optimistic outlook: "And still I believe that man is sensible..."

Grusha's husband has left her and she is now a single parent to her adolescent son Vitya. Her brother Nikolay is determined to hook her up with his friend Vladimir. For Grusha and Vladimir to have privacy to build up their relationship, Nikolay decides his nephew Vitya needs to stay out of the way, so he urges Vitya to come live with his family for a while. However, Grusha's not so sure about the arrangement.

Nina Denisova, a student of a pedagogical institute, together with a concert brigade comes to the construction of a railroad. Here she meets her former classmate, with whom she is secretly in love, and decides to stay at the construction site. Nina will not immediately realize that because of Tolik she should not have left the institute and changed her life in such a way, but she will not regret her decision.

Zhora Sorokarossiysky, a well-known master of stuffed birds and animals, is essentially patient and kind. But his wife's overbearing character and her endless scolding about his strange work once awakened in him the desire to leave home.

Originally called World '68, later retitled The World of Today Romm’s film was conceived as an impassioned, large-scale essay on the origins of the 20th century and the subsequent reality the disappointed director felt slipping away from him. The film itself slipped away from him and was left unfinished at the time of his death. His younger colleagues, Marlen Khutsiev, Elem Klimov and German Lavrov, completed the film from the elements he left behind in addition to segments from Ordinary Fascism, closing the film with Romm’s ultimately optimistic outlook: "And still I believe that man is sensible..."

Grusha's husband has left her and she is now a single parent to her adolescent son Vitya. Her brother Nikolay is determined to hook her up with his friend Vladimir. For Grusha and Vladimir to have privacy to build up their relationship, Nikolay decides his nephew Vitya needs to stay out of the way, so he urges Vitya to come live with his family for a while. However, Grusha's not so sure about the arrangement.

Nina Denisova, a student of a pedagogical institute, together with a concert brigade comes to the construction of a railroad. Here she meets her former classmate, with whom she is secretly in love, and decides to stay at the construction site. Nina will not immediately realize that because of Tolik she should not have left the institute and changed her life in such a way, but she will not regret her decision.