Tatyana Ermilova

A power failure puts three households in a state of emergency. In the first flat they were just about to start a party, now they are all sitting together by candlelight. In the neighbouring flat, the residents see their conspiracy theories confirmed - after all, they have been preparing for this moment for years. And while one floor below a young man is drowning his lovesickness in vodka, there is someone else stuck in the lift.

Franz is by far the smallest in the class, has blond ringlets and gets a high-pitched squeaky voice when he gets upset. Luckily, two best friends help: Gabi and Eberhard. When Franz discovers Hank Haberer's "10 rules for a real man" for himself one day, turbulence is inevitable and the friendship of the three gets into trouble.

Epic film about WWII, a sequel to Utomlyonnye solntsem (1994). Evil Stalin is terrorizing people of Russia while the Nazis are advancing. Russian officer Kotov, who miraculously survived the death sentence in Stalin's Purge, is now fighting in the front-lines. His daughter, Nadia, who survived a rape attempt by Nazi soldiers, is now a nurse risking her own life to save others. In the war-torn nation even former enemies are fighting together to defend their land. People stand up united for the sake of victory. Written by Steve Shelokhonov

Michael is a general manager of a large company, living in a small apartment in a rundown area of the city of the future. He can't get rid of the hatred for his boss Rudolf. The need to let off steam leads Michael to the office of the company 'New Life', implanting in their clients' memories fantasies that they can realize without the risk of experiencing the events in reality.

The film is based on the life of Marina Tsvetaeva, one of the most tragic and greatest poets of the 20th century. The authors follow her in Russia, then in immigration in Prague and Paris, and then her return to Russia where she committed a suicide a few month after her arrival.

The last film in Vidokle's trilogy on Cosmism is a meditation on the museum as the site of resurrection-a central idea for many Cosmist thinkers, scientists and avant-garde artists. Filmed at the State Tretyakov Gallery, the Moscow Zoological Museum, The Lenin Library, and the Museum of Revolution, the film looks at museological and archival techniques of collection, restoration and conservation as a means of the material restoration of life, following an essay penned by Nikolai Federov on this subject in the 1880s. The film follows a cast comprised of present-day followers of Federov, several actors, artists and a Pharaoh Hound that playfully enact a resurrection of a mummy, a close examination of Malevich's Black Square, Rodchenko's spatial constructions, taxidermied animals, artifacts of the Russian Revolution, skeletons, and mannequins in tableau vivant-like scenes, in order to create a contemporary visualization of the poetry implicit in Federov's writings.

The film intertwines the intrigues at the court of Peter III and the mysterious murders of our days that happened on the territory of the Oranienbaum Museum-Reserve. At one time, the estate was donated to Menshikov and named Oranienbaum in honor of an orange tree. According to legend, Peter I came across a greenhouse with a wonderful "orange tree" in a tub on the territory of the estate and laughed after reading the sign Oranienbaum. The estate inherited later by Peter III was completed, and under Catherine the Great a Chinese palace of amazing beauty appeared in it.

A retro-journalistic drama based on one of the versions of Kirov’s murder, proposed by former NKVD general Orlov, who managed to escape death during the “purge” in the “Kirov” case.