Jurandir Müller

Élvio and Eric live alone in a small apartment without talking to anyone else. The relationship between the two deteriorates until one day, mysteriously, a periscope appears in the room.

Syllvio Luccio is a transsexual male being transformed in the middle of the Brazilian dry lands, a region of high temperatures, poverty and where male’s virility is extreme.

Through a life story the film deals with issues related to human rights, such as the right to difference. The character's life is presented from others, otherness as a logic. The spectators complete the senses and gradually realize that this is a homosexual who, still in his adolescence, became a transvestite; "Amapoa" is a term that comes from Yoruba and has become transvestite slang for women. The film has a brutal ending, revealing that the character suffered a strong violence. Homophobia. The approach leads to identification with the character and allows reflections on the intolerance of today's society.

This video, directed at children, merges clay animation and real images to show the various dimensions involving urban waste: trash and sweeping the streets, and household waste, composting and recycling of materials. The gang formed by Vassourinha, Dr. Basket and Mr. Truck, stimulate correct habits for children and the responsibility of these issues.

The cartoonist Laerte goes a long way through São Paulo searching for a certificate.

ACTS OF MEN should have been a film about the daily lives of massacre survivors in Brazil. Everything was planned for us to start shooting in April 2005. But reality did not wait. On the last day of March, exactly one month before principal photography, things changed: A terrible massacre took place in Baixada Fluminense, near Rio de Janeiro. Twenty-nine people were killed by a death squad, the largest massacre in the history of Rio de Janeiro. The killers are extermination groups made up of policemen who work in the area, and are involved in extortions, kidnapping, drug dealing and homicide. This has been going on since the 1950s, but it has never been as extreme as it is now.

Élvio and Eric live alone in a small apartment without talking to anyone else. The relationship between the two deteriorates until one day, mysteriously, a periscope appears in the room.

Syllvio Luccio is a transsexual male being transformed in the middle of the Brazilian dry lands, a region of high temperatures, poverty and where male’s virility is extreme.

Through a life story the film deals with issues related to human rights, such as the right to difference. The character's life is presented from others, otherness as a logic. The spectators complete the senses and gradually realize that this is a homosexual who, still in his adolescence, became a transvestite; "Amapoa" is a term that comes from Yoruba and has become transvestite slang for women. The film has a brutal ending, revealing that the character suffered a strong violence. Homophobia. The approach leads to identification with the character and allows reflections on the intolerance of today's society.

This video, directed at children, merges clay animation and real images to show the various dimensions involving urban waste: trash and sweeping the streets, and household waste, composting and recycling of materials. The gang formed by Vassourinha, Dr. Basket and Mr. Truck, stimulate correct habits for children and the responsibility of these issues.

This video, directed at children, merges clay animation and real images to show the various dimensions involving urban waste: trash and sweeping the streets, and household waste, composting and recycling of materials. The gang formed by Vassourinha, Dr. Basket and Mr. Truck, stimulate correct habits for children and the responsibility of these issues.

The cartoonist Laerte goes a long way through São Paulo searching for a certificate.

ACTS OF MEN should have been a film about the daily lives of massacre survivors in Brazil. Everything was planned for us to start shooting in April 2005. But reality did not wait. On the last day of March, exactly one month before principal photography, things changed: A terrible massacre took place in Baixada Fluminense, near Rio de Janeiro. Twenty-nine people were killed by a death squad, the largest massacre in the history of Rio de Janeiro. The killers are extermination groups made up of policemen who work in the area, and are involved in extortions, kidnapping, drug dealing and homicide. This has been going on since the 1950s, but it has never been as extreme as it is now.