Seo Bo-hyung

Chung-jae, a repairman, cannot stop turning "a round golden doorknob" in a client's bedroom. He visits a consulting room to find its cause. Da-gam, an actor, visits his friend Doo-joon to borrow "a funeral suit" when someone dies. "So who died this time?" Doo-joon asks over a beer. "An actress I worked with." Two men, each in an empty seat, begin to tell their story — about object and object.

A short film that depicts the dissatisfaction and ridiculous situation of the staff and actors who film in difficult conditions

Feeling dead, Young-mok breaks off all relationships to gain enlightenment before he dies, and clings only to 108 prostrations and sitting meditation. Then, one day, Young-mok is hallucinated. Meanwhile, Ji-woo, who is waiting for inspiration ahead of the exhibition, reminds her of the afterimage of a man...

A man and woman are talking. They find a lot in common, which ironically puts distance between them rather than bringing them together. Soh explores what true identity is through the nature of actors who play fictional roles.

A man wakes up, hearing a knock on the door. Something familiar is wrongly connected. When he opens the door, the light in the bathroom is turned on. When he turns on the light of the bathroom, the television is turned on.

Soo-in as become sick and tired of his longtime love, Jung-Hwa. Besides, m ore and more, he is unable to sleep. One day, after a quarrel, she wasn’t able to contact him in any way. Did Soo-in disappeared or fallen into a deep sleep?

Chung-jae, a repairman, cannot stop turning "a round golden doorknob" in a client's bedroom. He visits a consulting room to find its cause. Da-gam, an actor, visits his friend Doo-joon to borrow "a funeral suit" when someone dies. "So who died this time?" Doo-joon asks over a beer. "An actress I worked with." Two men, each in an empty seat, begin to tell their story — about object and object.

Chung-jae, a repairman, cannot stop turning "a round golden doorknob" in a client's bedroom. He visits a consulting room to find its cause. Da-gam, an actor, visits his friend Doo-joon to borrow "a funeral suit" when someone dies. "So who died this time?" Doo-joon asks over a beer. "An actress I worked with." Two men, each in an empty seat, begin to tell their story — about object and object.

Chung-jae, a repairman, cannot stop turning "a round golden doorknob" in a client's bedroom. He visits a consulting room to find its cause. Da-gam, an actor, visits his friend Doo-joon to borrow "a funeral suit" when someone dies. "So who died this time?" Doo-joon asks over a beer. "An actress I worked with." Two men, each in an empty seat, begin to tell their story — about object and object.

A short film that depicts the dissatisfaction and ridiculous situation of the staff and actors who film in difficult conditions

A short film that depicts the dissatisfaction and ridiculous situation of the staff and actors who film in difficult conditions

Feeling dead, Young-mok breaks off all relationships to gain enlightenment before he dies, and clings only to 108 prostrations and sitting meditation. Then, one day, Young-mok is hallucinated. Meanwhile, Ji-woo, who is waiting for inspiration ahead of the exhibition, reminds her of the afterimage of a man...

Feeling dead, Young-mok breaks off all relationships to gain enlightenment before he dies, and clings only to 108 prostrations and sitting meditation. Then, one day, Young-mok is hallucinated. Meanwhile, Ji-woo, who is waiting for inspiration ahead of the exhibition, reminds her of the afterimage of a man...

A man and woman are talking. They find a lot in common, which ironically puts distance between them rather than bringing them together. Soh explores what true identity is through the nature of actors who play fictional roles.

A man and woman are talking. They find a lot in common, which ironically puts distance between them rather than bringing them together. Soh explores what true identity is through the nature of actors who play fictional roles.

A man and woman are talking. They find a lot in common, which ironically puts distance between them rather than bringing them together. Soh explores what true identity is through the nature of actors who play fictional roles.

A man wakes up, hearing a knock on the door. Something familiar is wrongly connected. When he opens the door, the light in the bathroom is turned on. When he turns on the light of the bathroom, the television is turned on.

A man wakes up, hearing a knock on the door. Something familiar is wrongly connected. When he opens the door, the light in the bathroom is turned on. When he turns on the light of the bathroom, the television is turned on.

Soo-in as become sick and tired of his longtime love, Jung-Hwa. Besides, m ore and more, he is unable to sleep. One day, after a quarrel, she wasn’t able to contact him in any way. Did Soo-in disappeared or fallen into a deep sleep?

Soo-in as become sick and tired of his longtime love, Jung-Hwa. Besides, m ore and more, he is unable to sleep. One day, after a quarrel, she wasn’t able to contact him in any way. Did Soo-in disappeared or fallen into a deep sleep?

Soo-in as become sick and tired of his longtime love, Jung-Hwa. Besides, m ore and more, he is unable to sleep. One day, after a quarrel, she wasn’t able to contact him in any way. Did Soo-in disappeared or fallen into a deep sleep?

Da-gam visits Doo-joon's house to borrow a black suit. Doo-joon, welcoming Da-gam, casually asks, "Who died this time?" as if death is no big deal. However, the traces of death never leave Da-gam and Doo-joon.

Da-gam visits Doo-joon's house to borrow a black suit. Doo-joon, welcoming Da-gam, casually asks, "Who died this time?" as if death is no big deal. However, the traces of death never leave Da-gam and Doo-joon.