Ulviyya Rza

The film tells the story of two friends Farid and Ramal. Farid and Ramal were homeless young people growing up on the streets of Baku. Ramal takes advantage of Farid's innocence. He forces him to work, supposedly to save the money and go find his mother. One day, they accidentally save Ayan, the daughter of a wealthy family. Ayan tells these young people about her problems. Farid finds a solution to this problem: he advises that Ramal and Ayan supposedly love each other and get married. And that's how it all starts.

Each of the patients in the psychiatric clinic lives in a world he has created in his imagination, one even says that he comes from another planet and believes it. They live in a beautiful abode that he has created in his mind. One considers himself the leader of the Soviet state I.V. Stalin, and lives in a world of memories, regretting his actions all day long. The other considers himself the famous French actress Sarah Bernhardt and lives her life in a world of images, imagining herself on stage every minute. Although the head doctor in the work tries to understand the imaginary world of the patients, he finally realizes that people who are treated as patients actually live in their own comfortable worlds, and this world is more than the real world.

In 1989, Yavar, who was serving a sentence in one of the remote prisons of the Soviet Union, returned to his native land, Karabakh - to the village of Yukhari Veysalli in the Fuzuli region. But everything has changed here, and the massacre of peaceful Azerbaijanis by Armenian militants has resulted in the deployment of Soviet peacekeepers in the region. Moreover, there is no news of Garatel, whom Yavar has loved for years and whom he was preparing to marry. Yavar, who takes on the defense of Yukhari Veysalli and the surrounding villages, gathers fighters around him. But when he comes face to face with Alexander Rokhlin, who leads the Soviet peacekeepers, he is astonished and is faced with a choice.

The film tells the story of a former colonel who ends up in a nursing home, where he loses his money. The events that befall the colonel, who is suspicious of his own friends, become the subject of laughter.

The anthology consists of 4 short feature films: "Postscriptum", "His Father", "The Gift" and "The Black Garden".

During the late 1980s and early 1990s the Armenian minority in Nagorono-Karabakh attempted to break away from Azerbaijan, one of the former Soviet republics. Overnight these former neighbors became enemies, and simple village folk were suddenly made hostages in a complex power game. One of the Azerbaijani villages right on the border is home to the family of the peasant farmer Kerim, who has just been captured by the Armenians. The village council decides to take an Armenian in order to arrange a hostage exchange. They imprison the wounded man in the barn next to Kerim's house, where his wife and three children desperately await the husband's return. The captive from the other side of the border finds himself in exactly the same situation - he, too, has three children, he finds it hard to scrape a living together, he has never done anything to harm anyone and, like Kerim, he just wants to go back home. But life in Karabakh is far more complex now. Blood calls for blood.