Luke Sullivan

The chilling story of a middle class man whose desperate weathering of the current economic crisis ends with the arrival one night of a debt collector with an offer that surely cannot be turned down.

Strewn on the blood, alcohol and urine soaked tiles of a dingy public bathroom, a young man reflects on the sex worker who stole his heart in a series of surreal and nightmarish flashbacks. ‘You’re Not Thinking Straight’ is a fiercely unique coming-of-age tale about what it means to be young, lonely and clamouring for love in a broken world.

“I don’t believe in love because I’ve never seen it,” responds a young woman to an unseen interviewer in the first few minutes of the movie. This bleak portrait of loneliness and social exclusion is set on the edge of a desolate swamp where an aging clown and his daughter are struggling to survive. The location could be the end of the world, a place where hope has vanished along with a belief in the afterlife and the existence of God. The two unfortunates live together without the likelihood of change, as fear, aggression, and anger take hold of them – but they also experience sudden moments of tenderness.

Strewn on the blood, alcohol and urine soaked tiles of a dingy public bathroom, a young man reflects on the sex worker who stole his heart in a series of surreal and nightmarish flashbacks. ‘You’re Not Thinking Straight’ is a fiercely unique coming-of-age tale about what it means to be young, lonely and clamouring for love in a broken world.

Strewn on the blood, alcohol and urine soaked tiles of a dingy public bathroom, a young man reflects on the sex worker who stole his heart in a series of surreal and nightmarish flashbacks. ‘You’re Not Thinking Straight’ is a fiercely unique coming-of-age tale about what it means to be young, lonely and clamouring for love in a broken world.

“I don’t believe in love because I’ve never seen it,” responds a young woman to an unseen interviewer in the first few minutes of the movie. This bleak portrait of loneliness and social exclusion is set on the edge of a desolate swamp where an aging clown and his daughter are struggling to survive. The location could be the end of the world, a place where hope has vanished along with a belief in the afterlife and the existence of God. The two unfortunates live together without the likelihood of change, as fear, aggression, and anger take hold of them – but they also experience sudden moments of tenderness.

“I don’t believe in love because I’ve never seen it,” responds a young woman to an unseen interviewer in the first few minutes of the movie. This bleak portrait of loneliness and social exclusion is set on the edge of a desolate swamp where an aging clown and his daughter are struggling to survive. The location could be the end of the world, a place where hope has vanished along with a belief in the afterlife and the existence of God. The two unfortunates live together without the likelihood of change, as fear, aggression, and anger take hold of them – but they also experience sudden moments of tenderness.