Alican Durbaş

Emre, a man in his early thirties, is moving out of his apartment. His girlfriend Defne talks to him, conjuring up images and uncovering traces of the bittersweet memories of their relationship. With the help of some friends, Emre collects his belongings and says goodbye to the neighbourhood where he was happy. But is he ready to say farewell to his home?

A magical realist, inner drama about a soldier who, when negotiating a minefield steps on a landmine and in his inner turmoil, he imagines he encounters a mirror that is a gateway into one very specific memory.

Conceived through the division of the screen into nine cinematic frames, the film Soil narrates the imaginary journey of a young man who carries handfuls of soil excavated from a garden into the grave of a deceased soldier who happens to be burying his own dead body.

Emre, a man in his early thirties, is moving out of his apartment. His girlfriend Defne talks to him, conjuring up images and uncovering traces of the bittersweet memories of their relationship. With the help of some friends, Emre collects his belongings and says goodbye to the neighbourhood where he was happy. But is he ready to say farewell to his home?

Emre, a man in his early thirties, is moving out of his apartment. His girlfriend Defne talks to him, conjuring up images and uncovering traces of the bittersweet memories of their relationship. With the help of some friends, Emre collects his belongings and says goodbye to the neighbourhood where he was happy. But is he ready to say farewell to his home?

A magical realist, inner drama about a soldier who, when negotiating a minefield steps on a landmine and in his inner turmoil, he imagines he encounters a mirror that is a gateway into one very specific memory.

Conceived through the division of the screen into nine cinematic frames, the film Soil narrates the imaginary journey of a young man who carries handfuls of soil excavated from a garden into the grave of a deceased soldier who happens to be burying his own dead body.