Natig Rasulzadeh

Young heroes come to relax in the seaside village and help law enforcement officers track down poachers.

The film tells about the study of the cruel impact of the communist-bolshevik ideology on the cultural heritage and the way of thinking of Azerbaijan against of the background of the life and work of Mikayil Huseynov and Sadyq Dadashov - the great Azerbaijani architects of the 20th century.

During the late 1980s and early 1990s the Armenian minority in Nagorono-Karabakh attempted to break away from Azerbaijan, one of the former Soviet republics. Overnight these former neighbors became enemies, and simple village folk were suddenly made hostages in a complex power game. One of the Azerbaijani villages right on the border is home to the family of the peasant farmer Kerim, who has just been captured by the Armenians. The village council decides to take an Armenian in order to arrange a hostage exchange. They imprison the wounded man in the barn next to Kerim's house, where his wife and three children desperately await the husband's return. The captive from the other side of the border finds himself in exactly the same situation - he, too, has three children, he finds it hard to scrape a living together, he has never done anything to harm anyone and, like Kerim, he just wants to go back home. But life in Karabakh is far more complex now. Blood calls for blood.

Local healer embarks on the path of revenge against the Russian Bolsheviks who captured his native village, establishing their own rules there.

The film is about lad who joined the underworld, after coming from Afghan war.

The film depicts the events of a family - a mother and two children - against the backdrop of the consequences of the Khojaly tragedy. Zakir's father was martyred in the Karabakh war. He lives with his mother, and his main ideal is to return to the lands for which his father died. The hero, rejecting the voice given to him by God, chooses military school instead of mugham art. He thinks that on such a difficult day for the homeland, it is necessary to defend it with a weapon in hand.

After the country transitions to a market economy, the psychiatric hospital is left without funding. The chief doctor (Yaşar Nuri) releases the patients to their homes. However, the outside world turns out to be even more insane than the patients themselves. Seeing the state of society, the patients are forced to return to the hospital. Although this film portrays the lives of people with mental illnesses, it actually uses dark humor to highlight the ugliness and shortcomings in our society and everyday surroundings.

After the story of the same name of Natig Rasulzadeh.