Marcos Caetano

A court order obliges the masked persons of the Festa do Divino to leave with an identification number. Not satisfied, a group of them tries to invade the city hall.

The documentary takes Belchior’s famous 1976 album as a starting point to construct a chronicle of 1970s Brazil—a time defined by a generation that sought to change the world but was ultimately cut down by dictatorships or co-opted by money.

The documentary takes Belchior’s famous 1976 album as a starting point to construct a chronicle of 1970s Brazil—a time defined by a generation that sought to change the world but was ultimately cut down by dictatorships or co-opted by money.