Giorgos Arvanitis

Maya is a jet-setting Greek actress who returns to her homeland to undertake the role of Medea. Searching for inspiration and clues as to how a mother could kill the children she loves, Maya discovers Brenda, a Bible-spouting American woman serving time in an Athens prison for that very crime.

Theo Angelopoulos recalls the defining moment in 1964 that led to him to live his entire life in Greece, and explores the concept of borders in his work - as the limits of existence, of life and death, of language and communication. “Narrowing down the borders narrows the communication, stretches the differences, magnifies oppositions, magnifies reasons for war, magnifies the refugees, magnifies the internal exile... In reality a civil war leaves behind wounds which cannot easily be healed and they revive, like ghosts, or like recurrent nightmares, during the long nights which have dogged Greek society for years.”

As Yorgos Papalios trains for the Athens Marathon, his remarkable life unfolds – from shipping dynasties and revolutionary Cuba to the shaping of Greek cinema and cultural policy – revealing a personal journey that echoes the modern history of Greece.

An approach to the phenomenon of Thanasis Vengos, the man and the artist, through film excerpts, testimonies of his collaborators and relatives and analyses of his symbolic role in the post-war modern Greek reality. Thanasis Vengos, for more than fifty years, was one of the most important actors in Greece. His films and lines are written in history, raising more than three generations of Greeks.

A doc made during the nightmarish filming of The Suspended Step of the Stork at Florina.

An immigrant returns to his village after many years, only to find that no one is waiting for him. When his wife and her lover murder him, an investigator attempts to reconstruct the crime, while a film crew documents the event.

Maya is a jet-setting Greek actress who returns to her homeland to undertake the role of Medea. Searching for inspiration and clues as to how a mother could kill the children she loves, Maya discovers Brenda, a Bible-spouting American woman serving time in an Athens prison for that very crime.

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After the death of her father a young woman who was a student in Germany suffers a nervous breakdown and withdraws inside herself. Her younger sisterʼs attempt to stop the family from having her locked up in a mental hospital fails and brings about her own mental decline. The film marked Stavros Tsiolis re-emergence after a 14-year absence but was also the film debut of actress Pemi Zouni.