
Camera
Giorgos Arvanitis
Born 1941-02-22 · Dilofo, Phthiotis, Greece
Giorgos (or Yorgos) Arvanitis (Greek: Γιώργος Αρβανίτης; born February 22, 1941) is a Greek cinematographer. Arvanitis was born in the village of Dilofo, Phthiotis, Greece. Having received an education as an electrician in the construction sector, he started working in the movies business in his early 20s, advancing from 2nd camera assistant to finally become a director of photography. Arvanitis has been an important figure in the Greek film industry, having worked on many films produced by Finos Films. In 1968, he worked on Theo Angelopoulos's first short film Εκπομπή (Broadcast). Since then, he has worked in every single one of Angelopoulos' movies, including award-winning Eternity and a Day (Palme d'or, Cannes 1998), except for the very last trilogy he was shooting (Trilogy: The Weeping Meadow, The Dust of Time, The Other Sea). (Source: Wikipedia)
Acting credits
NRAs Yorgos Papalios trains for the Athens Marathon, his remarkable life unfolds – from shipping dynasties and revolutionary Cuba to the shaping of Greek cinema and cultural policy – revealing a personal journey that echoes the modern history of Greece.
Running on Waves
2026
7.0An immigrant returns to his village after many years, only to find that no one is waiting for him. When his wife and her lover murder him, an investigator attempts to reconstruct the crime, while a film crew documents the event.
Reconstruction
1970
NRA doc made during the nightmarish filming of The Suspended Step of the Stork at Florina.
Filming Under Pressure
1991
Theo Angelopoulos: A Lifework in Film
Theo Angelopoulos: A Lifework in Film
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NRAn approach to the phenomenon of Thanasis Vengos, the man and the artist, through film excerpts, testimonies of his collaborators and relatives and analyses of his symbolic role in the post-war modern Greek reality. Thanasis Vengos, for more than fifty years, was one of the most important actors in Greece. His films and lines are written in history, raising more than three generations of Greeks.
An All-Weather Man
2004
NRTheo Angelopoulos recalls the defining moment in 1964 that led to him to live his entire life in Greece, and explores the concept of borders in his work - as the limits of existence, of life and death, of language and communication. “Narrowing down the borders narrows the communication, stretches the differences, magnifies oppositions, magnifies reasons for war, magnifies the refugees, magnifies the internal exile... In reality a civil war leaves behind wounds which cannot easily be healed and they revive, like ghosts, or like recurrent nightmares, during the long nights which have dogged Greek society for years.”
Balkan Landscapes: The Gaze of Theo Angelopoulos
1993
NRMichel Demopoulos directed only one film in his life: a documentary about the shooting of Theo Angelopoulos’ O Thiasos / The Travelling Players (1975).
The Other Stage
1975
Behind the camera
6.2Maya is a jet-setting Greek actress who returns to her homeland to undertake the role of Medea. Searching for inspiration and clues as to how a mother could kill the children she loves, Maya discovers Brenda, a Bible-spouting American woman serving time in an Athens prison for that very crime.
A Dream of Passion
1978
6.5After the death of her father a young woman who was a student in Germany suffers a nervous breakdown and withdraws inside herself. Her younger sisterʼs attempt to stop the family from having her locked up in a mental hospital fails and brings about her own mental decline. The film marked Stavros Tsiolis re-emergence after a 14-year absence but was also the film debut of actress Pemi Zouni.
Such a Long Absence
1985
NRNo synopsis available yet.
Καλή σου Νύχτα Κυρ-Αλέξανδρε
1981