Carol Lai Miu-Suet

George Lam and Carol Cheng play a couple who finally settle down after a long-running love marathon. Their troubles begin when George loses his job and becomes a house-husband, while Carol and daughter (Vivian Chow) become the breadwinners of the family.

One suspects writer-director Carol Lai may have harboured some Black Swan ambitions with a tale that also centers around a stage practitioner who embarks on an unwitting destructive journey when playing a role to die for. The Second Woman, whose Chinese title Romance Riddle may hold better clues as to how this film developed, being more of a guessing game that threw constant clues rather than a overly romantic film about twins falling in love with a man who decided it's perfectly OK to string both women along, until he discovers that this spells double trouble.

Zhang Liang is a young man who does not engage into any proper work. His secret hobby is to play with all kinds of high-tech candid technology, especially the candid photographs. He falls madly in love with a young air-stewardess. Liang brings his full equipment all the way to stay in a vacation house. Secretly he installs pinhole video cameras in the stewardess's room as well as other tenants. Through these Liang disvovers people's secrets. He does not notice he will become the lead instead of a bystander...

When Rain, a beautiful university year 4 student receives an SMS on her mobile phone - "Do you know what the 19th Gate of hell is?", the nightmare begins for her. It is not too long before she realizes that she is unwittingly trapped in a terrifying mobile phone game from hell and this game is larger than life.

Maan has recently lost her lover, Sam, a painter who died tragically of an incurable disease. Before his death, he was remembering a beautiful landscape from the days when he was still a boy living in Qingdao in China. Maan goes to Qingdao to find this landscape. There, she meets Lit (Liu Ye), a postman who will help her to find that place. A relationship grows between Maan and Lit but she can't forget the love she had for Sam.

Lau may love to indulge in a bit of alcohol and womanizing, but he's also a serious writer who's respected by his colleagues in the cultural world. However, his work is getting less and less respect from his commercial-minded editor, who forces Lau to write action-filled wuxia serials and erotic stories. After an attempt at a tasteful, cultural magazine fails, Lau succumbs to the commercial reality and writes practically anything to survive. Haunted by his memories of World War II and his professional failures, Lau falls even deeper into his addiction of drink and woman…

George Lam and Carol Cheng play a couple who finally settle down after a long-running love marathon. Their troubles begin when George loses his job and becomes a house-husband, while Carol and daughter (Vivian Chow) become the breadwinners of the family.

One suspects writer-director Carol Lai may have harboured some Black Swan ambitions with a tale that also centers around a stage practitioner who embarks on an unwitting destructive journey when playing a role to die for. The Second Woman, whose Chinese title Romance Riddle may hold better clues as to how this film developed, being more of a guessing game that threw constant clues rather than a overly romantic film about twins falling in love with a man who decided it's perfectly OK to string both women along, until he discovers that this spells double trouble.

One suspects writer-director Carol Lai may have harboured some Black Swan ambitions with a tale that also centers around a stage practitioner who embarks on an unwitting destructive journey when playing a role to die for. The Second Woman, whose Chinese title Romance Riddle may hold better clues as to how this film developed, being more of a guessing game that threw constant clues rather than a overly romantic film about twins falling in love with a man who decided it's perfectly OK to string both women along, until he discovers that this spells double trouble.

One suspects writer-director Carol Lai may have harboured some Black Swan ambitions with a tale that also centers around a stage practitioner who embarks on an unwitting destructive journey when playing a role to die for. The Second Woman, whose Chinese title Romance Riddle may hold better clues as to how this film developed, being more of a guessing game that threw constant clues rather than a overly romantic film about twins falling in love with a man who decided it's perfectly OK to string both women along, until he discovers that this spells double trouble.

Zhang Liang is a young man who does not engage into any proper work. His secret hobby is to play with all kinds of high-tech candid technology, especially the candid photographs. He falls madly in love with a young air-stewardess. Liang brings his full equipment all the way to stay in a vacation house. Secretly he installs pinhole video cameras in the stewardess's room as well as other tenants. Through these Liang disvovers people's secrets. He does not notice he will become the lead instead of a bystander...

When Rain, a beautiful university year 4 student receives an SMS on her mobile phone - "Do you know what the 19th Gate of hell is?", the nightmare begins for her. It is not too long before she realizes that she is unwittingly trapped in a terrifying mobile phone game from hell and this game is larger than life.

When Rain, a beautiful university year 4 student receives an SMS on her mobile phone - "Do you know what the 19th Gate of hell is?", the nightmare begins for her. It is not too long before she realizes that she is unwittingly trapped in a terrifying mobile phone game from hell and this game is larger than life.

Maan has recently lost her lover, Sam, a painter who died tragically of an incurable disease. Before his death, he was remembering a beautiful landscape from the days when he was still a boy living in Qingdao in China. Maan goes to Qingdao to find this landscape. There, she meets Lit (Liu Ye), a postman who will help her to find that place. A relationship grows between Maan and Lit but she can't forget the love she had for Sam.

Maan has recently lost her lover, Sam, a painter who died tragically of an incurable disease. Before his death, he was remembering a beautiful landscape from the days when he was still a boy living in Qingdao in China. Maan goes to Qingdao to find this landscape. There, she meets Lit (Liu Ye), a postman who will help her to find that place. A relationship grows between Maan and Lit but she can't forget the love she had for Sam.

Lau may love to indulge in a bit of alcohol and womanizing, but he's also a serious writer who's respected by his colleagues in the cultural world. However, his work is getting less and less respect from his commercial-minded editor, who forces Lau to write action-filled wuxia serials and erotic stories. After an attempt at a tasteful, cultural magazine fails, Lau succumbs to the commercial reality and writes practically anything to survive. Haunted by his memories of World War II and his professional failures, Lau falls even deeper into his addiction of drink and woman…

An ex-cop searches for a missing teen as a favour to her parents.

1998 short film by Carol Lai Miu-Suet