Jessey Tsang Tsui-shan

Three troubled young girls will do anything to escape their stifling lives - even if it means turning to drugs and prostitution. Set in the generation of smartphones and web 2.0, the technology may have made communication easier than ever, but cautionary tales of misunderstood youths remain as relevant as they were two decades ago.

Believing that writing Cantopop is her God-given talent, Law Wing-sze decides to make it her lifelong career. But as hard as Sze tries to polish her lyric-writing skills and expand her social circle, nothing seems to go her way. What if there’s a will, but there’s no way?

The financial analysis of a Chinese IT firm has been stolen, and a senior executive at the investment bank that wrote it must pay a ransom before the confidential report is released to the public. However, eyebrows are raised when the thieves ask for a surprisingly low amount for the ransom. What are the thieves really after?

A woman with a seemingly ideal life, Siu Man is abandoned by her husband partly due to her fear of intimacy. After several life crises, she decides to reboot her life by taking over her father’s restaurant. Siu Man eventually finds herself attracted to her new chef, a free spirit who treats cooking as serious philosophy. Tired of the shackles she placed on herself, Siu Man embarks on a journey of self-discovery and sexual liberation.

A woman with a seemingly ideal life, Siu Man is abandoned by her husband partly due to her fear of intimacy. After several life crises, she decides to reboot her life by taking over her father’s restaurant. Siu Man eventually finds herself attracted to her new chef, a free spirit who treats cooking as serious philosophy. Tired of the shackles she placed on herself, Siu Man embarks on a journey of self-discovery and sexual liberation.

Lovers on the Road follows Lei as she moves to Beijing for her boyfriend’s job, despite their rocky relationship. She starts a project interviewing other outsiders about Beijing and what they miss. One outsider, estranged from his family in Tokyo, takes Lei on a journey of self discovery.

Aloneness is not the same as being lonely. Lying beneath the white sheets, the 11 holds the tale of forbidden unconditional love in dreams and in reality. The lovers whisper words of love as conversations continue to flow and laughter fills the ward.

In a small town, the funeral of a matriarch brings about the reunion of family members, many returning to the village after leading new lives elsewhere, some no longer speaking the language of the native land. With the passage of time, the big clan becomes fragmented as members, like other modern Chinese in mainland China, face changes in lives, ideals, and family structures. The occasion becomes a hot ground for deals and negotiations that are inevitable amid the rapid development of China, where family members prosper while relationships become calculated. Still, a funeral procession amid an impending storm requires them, already down different paths, to walk together.

In his Chinese film, "Scent," Park Shi Hoo plays Kang In Joon, a Korean interior designer...who finds love when he meets an innocent Chinese girl...it's directed by Jessy Tseng who directed award-winning art house film Big Blue Lake.

Lai Yee returned in Ho Chung, Sai Kung's home, alerted the village by the time of baptism is not as good as ever, but after ten years away, the mother (Tan Amy decoration), has also grow old, no longer was. Lai Yee re-enter the simple natural life, waiting at the mother's side, seems to want to recover the past ten years time, but the quiet outskirts of rigid world, but because old classmate Lin (Lawrence Chou decorated) broke into and became noisy. Two respective corner of the village, traveled with emotional regret to embark on finding love journey. Short period of time is full of lies, secrets and indulgence. Finally everyone is to find the big blue lake, a large blue lake in the heart and mind, to re-learn to put your face to meet the future more flee war.

Lai Yee returned in Ho Chung, Sai Kung's home, alerted the village by the time of baptism is not as good as ever, but after ten years away, the mother (Tan Amy decoration), has also grow old, no longer was. Lai Yee re-enter the simple natural life, waiting at the mother's side, seems to want to recover the past ten years time, but the quiet outskirts of rigid world, but because old classmate Lin (Lawrence Chou decorated) broke into and became noisy. Two respective corner of the village, traveled with emotional regret to embark on finding love journey. Short period of time is full of lies, secrets and indulgence. Finally everyone is to find the big blue lake, a large blue lake in the heart and mind, to re-learn to put your face to meet the future more flee war.

The immersive, interactive VR experience guides the audience through the intimate creative world of the partnership between dance duo Ix Wong Thien-pau (Malaysia) and Aaron Khek Ah-hock (Singapore). Blurring the boundaries between reality and memory, and using archival material and virtual technology to bridge the divide that separates souls when a loved one departs too soon, Chroma 11 is a poignant reflection on the enduring nature of human connections.

Flowing Stories is a documentary about change, migration of Hong Kong people and the unknowability of the future.

Depicts a man who gets into a motorcycle accident, his wife Mei, younger sister, and mother. It also tells the story of Ying, a young woman, who is murdered in their home, policeman Jing who is investigating the case, and his wife Yin, who is having an affair with a fellow policeman. They are all connected. The more Jing tries to solve the case, the more cryptic their relationship becomes, and past memories come to light.

Using a montage of old photographs, this experimental film takes the viewer back in time into the memories of villagers of Ho Chung Village in Saikung.

Continuing her career-spanning contemplation of home and reunion, Tsang Tsui-shan (Flowing Stories, 38th) once again turns the camera on her home village of Ho Chung. This time, she documents her village’s Tai Ping Ching Chiu Festival, a once-in-a-decade event that brings villagers back from all over the world to the village. But when the world is hit by a global pandemic, what will happen to this long-awaited reunion? Made amidst great change in Hong Kong and her own life, Tsang’s latest love letter to her home is a melancholic and wistful affair.

An Anti Domestic Violence Short film directed by Tsang Tsui Shan

2007 short by Tsui-shan Jessey Tsang

The bench in the small park connects strangers, old and young. The closer they get, the better they understand each other. Friendship started in the park and gradually accumulated bit by bit.

2010 short by Tsui-shan Jessey Tsang

Lonely Planet