Jack Holden

Set in a dugout in Aisne in 1918, a group of British officers, led by the mentally disintegrating young officer Stanhope, variously await their fate.

Follows Danny Ocean's parents, two masterminds, as they pull off an elaborate heist at the 1962 Monaco Grand Prix.

It’s 1786 and King George III is the most powerful man in the world. But his behaviour is becoming increasingly erratic as he succumbs to fits of lunacy. With the King’s mind unravelling at a dramatic pace, ambitious politicians and the scheming Prince of Wales threaten to undermine the power of the Crown, and expose the fine line between a King and a man.

Let BOYS ON FILM move, inspire and uplift you with this stunning collection of 11 new gay short films, marking the final physical edition of the series. The 11 short films are: We Collide (2023); Firsts (2022); Sea Sparkles [Noctilucas] (2022); Aloof [מנגד] (2020); The Rev (2021); Prelude [Preludio] (2019); Beautiful Stranger (2021); You Like That (2023); Thursday, Friday, Saturday [Jeudi, vendredi, samedi] (2021); The Unknown Man [L'homme inconnu] (2021); S.A.M. (2020).

Declan finds himself trapped in conversation with the same skin-crawling co-worker day-in day-out. But when he's faced with a true nightmare situation, he must choose between a fate worse than death...and a fate worse than death.

Once, Neil Marlow's life was a spontaneous festival of frivolity, friends and funk music. Now, it's one of OAPs, weekly bingo and ready-meals. Neil Marlow (aka The Rev) has chosen a life of the cloth above a life of liberalism. Like so many before him, he is convinced that his sexuality and extroverted personality are incompatible with his religious beliefs. This is the story of that struggle. The struggle of repression and rejection, of the vain attempt to leave a part of himself behind in the belief that he will somehow be happier if he inhibits his true self.

When you think of a Bull Rider, it's got to be Lito Cruz and Chad Brock who are the men who come to mind, because these two guys are at the very top of that category. There's no holding them back when it comes to riding hard, fast and of course, bareback. They are masters at their game, but they're not the only ones, this dvd has four more pairings that sees these guys gorging on toned torsos and big, fat cocks and spit-lubing and licking ass like it's their last meal. Whether they are top to tail in mutual gluttony or dominating the proceedings, watch these guys grab their ankles whilst their ass cheeks are spread like butter and their holes are probed, poked and fucked hard. Five scenes of seriously frantic sexual athletics - and it's all totally bare.

A young man is forced out of his comfort zone when he goes on an unconventional date.

As Boys On Film reaches the end of its teenage years, we take a look at those unique boys who go one step further, who excite, invigorate, and always impress, who break boundaries, shape their worlds and are more than what they appear. Volume 19: No Ordinary Boy includes ten complete films: Scott T. Hinson's "Michael Joseph Jason John" also starring Eric Robledo; Abhishek Verma's animated "The Fish Curry"; Ben Allen's "Blood Out Of A Stone" starring Alex Austin and Oisín Stack; David Färdmar's "No More We" starring Jonathan Andersson and Björn Elgerd; Jannik Splidsboel's "Between Here & Now" starring Francesco Martino and Peder Bille; Amrou Al-Kadhi's "Run(a)way Arab" also starring Ahd and Omar Labek; Dean Loxton's "Meatoo" starring Calum Speed and Warren Rusher; Jake Graf's "Dusk" starring Elliott Sailors, Sue Moore, and Duncan James; Leon Lopez's "Jermaine & Elsie" starring Marji Campi and Ashley Campbell; and Marco Alessi's "Four Quartets" with Laurie Kynaston.

Once, Neil Marlow's life was a spontaneous festival of frivolity, friends and funk music. Now, it's one of OAPs, weekly bingo and ready-meals. Neil Marlow (aka The Rev) has chosen a life of the cloth above a life of liberalism. Like so many before him, he is convinced that his sexuality and extroverted personality are incompatible with his religious beliefs. This is the story of that struggle. The struggle of repression and rejection, of the vain attempt to leave a part of himself behind in the belief that he will somehow be happier if he inhibits his true self.