Manaf Dadashov

August 1922. An American journalist, Jerry Thompson, travels to the Soviet Union and arrives in Azerbaijan. He visits the settlement of Mardakan in Baku. There, he meets an elderly man at a villa. Thompson can hardly believe what he hears. Standing before him is Haji Zeynalabdin Taghiyev, a once-great oil producer, millionaire, and philanthropist who lost all his wealth after the establishment of Soviet rule. Haji recounts his life story to the guest, a journey that saw him rise from a humble mason to an influential oil industrialist.

In the autumn of 1888, Baku is preparing for the visit of His Majesty Alexander III. Millionaire and member of the Baku City Duma, Haji Zeynalabdin Taghiyev, is fighting for influence and status in society. The city mayor, Orlovsky, taking advantage of his position, seeks to seize the oil field of Teymurbekov, who has committed suicide. Meanwhile, Ismail, the eldest son of Haji, meets General’s daughter, Nurjahan Arablinskaya, and intends to marry her.

August 1922. Jerry Thompson, filled with respect, prepares to hear Haji’s story. May 1901. Haji Zeynalabdin Taghiyev works on opening the first school for Muslim girls in Baku, with support from his wife Sona. Cleric Akhund Abu Ziyad opposes the idea, sparking public debate. Reformers — Hasan bey Zardabi, Alimardan bey Topchibashev, Ahmed bey Agaev, and progressive clergy led by Mirza Abuturab — support education. The conflict escalates to attacks on teachers. Haji changes strategy and sends a representative abroad. He returns with approvals from major Islamic centers, confirming girls’ right to education. Victory is Haji’s. In October 1901, the school opens.

The film tells the tragic life story of an actor named Farhad, who remains faithful to national values and deeply feels the pain of their loss. Fearing the negative impact of social media, Farhad leaves the theater because of a colleague's dismissal. The story explores his inner world, the traumas he experiences, and the void created by the loss of national values, presenting it all to the audience.

Dedicated to the 200th anniversary of the birth of Mirza Gadim Iravani, an Azerbaijani portraitist and ornamentalist painter, the founder of easel painting - his life and work, as well as the historical and cultural heritage of the ancient city of Yerevan.

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A woman who has gone astray and a compassionate taxi driver.

In May 1896, Haji Zeynalabdin Taghiyev was still strong and enterprising, but he openly felt bored spending the warm season at his summer house in Mardakan. Haji wanted a family. He decided to propose to Sona Arablinskaya, the younger sister of Nurjahan Arablinskaya, Ismail’s wife. Haji’s plan caused bewilderment among the Arablinsky family and angered Ismail. Yet Haji succeeded —Sona herself agreed, her parents gave in, but the marriage between Haji and Sona destroyed the relationship between Haji and Ismail.

Inspired by Anton Chekhov's The Cherry Orchard, the film follows a prodigal son who returns after 12 years. His reappearance at the family home in rural Azerbaijan significantly alters their way of life.

In a remote Azerbaijani village, things take a turn for the worse on the wedding night when the firing of a gun, a local tradition, doesn't go according to plan.

The feature documentary film dedicated to the 100th anniversary of the Azerbaijan Democratic Republic. The film highlights the events that took place on the last days of the Azerbaijan Democratic Republic.

The film tells the story of the Karabakh veteran, cavalier of the Order of the "Azerbaijani Flag", National Hero of Azerbaijan, and commander of the intelligence unit, Ibad Huseynov.

"Dalan" is a film that tells about dead-end life situations that anyone can get into. In the film, several intertwined stories are built around the main plot line - the betrayal of a young wife to her despotic husband.

The film is about the tragic love of two young people. Although it is impossible for Jamal and Deniz to be happy together, both of them rise up to fight for their love. However, not everything turns out the way they hoped. The main goal of the lovers was not to become victims of the principles of their parents, who had turned into enemies of each other.

This historical movie is about the situation of Ganja and Karabakh khanates between Russia and Iran war.

The film takes place in the Azerbaijani capital of Baku at the end of the 1980s. At this time, the Soviet Union was starting to fall apart, and with this came the start of a number of ethnic conflicts. Fariz and his family move into a Baku apartment block from war-torn Nagorno-Karabakh. Fariz's relations with his new neighbors are strained by his accusations that it was people like them who failed to support the Azeris in their conflict with ethnic Armenians. The only one who stands up to him is Alik, who acts as peacemaker between him and the older inhabitants of the building. Alik has no reservations about brandishing his gun in order to keep the peace. One day, the apartment managers want to evict a number of musicians who have been squatting in the basement. Alik gets involved, but soon discovers the situation is more complicated that he first believed.

Shot during the Nagorno-Karabakh War, "Fəryad" is only one of its kind. Following the Khojaly Massacre, Ismayil, an officer tasked with collecting the bodies, crosses enemy lines to avenge the brutal murder of a local schoolgirl. There he gets captured by Armenians and waits for the day to be exchanged for an enemy POW.