Mariya Lapshina

Three boxers from Chelyabinsk decide to earn extra money at the Moscow tournament on fights without rules before flying to the World Championship. After learning about the violation of the sports regime, the head coach excludes them from the national team. The guys are eating sadly in a restaurant, discussing the inglorious homecoming. In the same institution, a business dinner of a well-known Moscow lawyer is held, with the protection of which, through no fault of the guys, a conflict ensues. Boxers demonstrate their skills and naturally end up in the police. They face imprisonment. However, the lawyer offers a deal: become his bodyguards or go to jail. The brave trio decides to change their tracksuits to classic ones.

About what leads to sex, and what happens immediately after it. In one of the novels, a guy agrees to have a child with his best friend, unaware of her insidious plan. In another, a casual acquaintance makes a vegan wonder if sex contradicts her beliefs. And the dispute between two strangers about feminism is resolved in bed, where a woman is not going to remain in debt to a man. The heroes of the stories tell not about sex, but about what surrounds it.

The second part of the film “About Love”. Moscow, summer 2016. A new lecture, a new lecturer with a new theme: “How to preserve love in the modern world” – and five new stories about love. The heroes still suffer, struggle for love, even more often get into absurd and ridiculous situations, and yet they trust in love even more.

Four friends from a provincial mining town receive an order from "above" to intimidate and drive away a visiting blogger from the capital, who intends to highlight local environmental issues and raise the issue of a brown coal fire in a local open-pit mine. But from the very beginning, everything goes wrong for them: lateness, alcohol, arguments and inexperience make their own adjustments, and they themselves find themselves under fire.

Social worker Rita spends her working days in the apartments of lonely elderly people. She refuses no one, helping everyone in need. Rita's life will begin to fall apart as soon as her son finds himself in a situation that leads to his death. And the woman's life will turn into hell.

This funny and tragic film explores the struggle to cope with the death of someone close to you. The main character, Tolya, who has just entered university, is confronted with the death of his mother from cancer and unexpectedly shoulders the responsibility of organizing the funeral: obtaining a death certificate, choosing a coffin and cemetery plot, calling relatives, and meeting his long-lost father. Irony becomes Tolya's only way to cope, so the characters and the world around them transform into grotesque versions of themselves: a nurse-bartender, a sinister cross seller, and an army of ninjas. But behind every humorous detail lies genuine pain.

Three boxers from Chelyabinsk decide to earn extra money at the Moscow tournament on fights without rules before flying to the World Championship. After learning about the violation of the sports regime, the head coach excludes them from the national team. The guys are eating sadly in a restaurant, discussing the inglorious homecoming. In the same institution, a business dinner of a well-known Moscow lawyer is held, with the protection of which, through no fault of the guys, a conflict ensues. Boxers demonstrate their skills and naturally end up in the police. They face imprisonment. However, the lawyer offers a deal: become his bodyguards or go to jail. The brave trio decides to change their tracksuits to classic ones.

About what leads to sex, and what happens immediately after it. In one of the novels, a guy agrees to have a child with his best friend, unaware of her insidious plan. In another, a casual acquaintance makes a vegan wonder if sex contradicts her beliefs. And the dispute between two strangers about feminism is resolved in bed, where a woman is not going to remain in debt to a man. The heroes of the stories tell not about sex, but about what surrounds it.

Polina, 40, suffers from anterograde amnesia, which forces her to re-learn every day that her daughter Taya is missing. But the mother refuses to believe in the worst outcome and, despite her illness, conducts her own investigation, reconstructing the events of what happened with the help of a diary. Polina increasingly suspects that Tai's disappearance is not an accident, and her family is hiding the truth from her.