Reiko Mori

Bent on revenge, a traumatized ex-police officer must infiltrate a yakuza organization by befriending one of the group's most unhinged members.

An old man and a young woman meet in Tokyo. She knows nothing about him, he thinks he knows her. He welcomes her into his home, she offers him her body. But the web that is woven between them in the space of twenty four hours bears no relation to the circumstances of their encounter.

Young at heart Akiyama is a manager at his company and has lots on his mind working at a manufacturer of washroom facilities. Naturally he relieves his day-to-day pressures and satisfies his fantasies by checking out the women he meets on his way. On occasion his fantasies combine the women (plural) that he comes across. Can he act on them?

Misuzu Hara (Nao) works as a high school teacher and prefers to keep a distance from her students. In her past, she was raped by her best friend’s boyfriend Hayafuji after he found out she liked him. She didn't report the crime to the police and she didn't tell anyone else what happened. She still suffers from the trauma from what happened, but she continues to have a forceful relationship with Hayafuji who is now her best friend’s fiancee. One day, a rumor spreads that her student Yuki Niizuma is in a secret affair. Misuzu Hara, as his teacher, has a meeting with him to provide counseling.

Madoka meets her husband's parents, who run a 450-year-old hand fan shop in the center of Kyoto. Together with her artist friend Anzai, they start an essay manga about the traditional shops in the area. On Madoka's first day minding the store alone, she ends up giving an interview to a TV crew and angering quite a lot of people by being a bit too candid. While Madoka is enamored by Kyoto, she has quite a lot to learn about the unsaid rules and the passive-aggressiveness of the local proprietresses.

Near-future Tokyo. Kou, through the help of his high school best friend, finds a surprising way to express his mounting frustration at the insidious forces of commercialism that are forcing out the neighbors he cares most about. Initially inspired by a prank that the writer-director Neo Sora (The Chicken, 2020) had pulled on him in his childhood, a sense of warm nostalgia and cold, material reality intermingle to tell a tale set in the not-so-distant future about disappearing spaces and the forces of policing and gentrification that drills this process forward.

Young at heart Akiyama is a manager at his company and has lots on his mind working at a manufacturer of washroom facilities. Naturally he relieves his day-to-day pressures and satisfies his fantasies by checking out the women he meets on his way. On occasion his fantasies combine the women (plural) that he comes across. Can he act on them?

Near-future Tokyo. Kou, through the help of his high school best friend, finds a surprising way to express his mounting frustration at the insidious forces of commercialism that are forcing out the neighbors he cares most about. Initially inspired by a prank that the writer-director Neo Sora (The Chicken, 2020) had pulled on him in his childhood, a sense of warm nostalgia and cold, material reality intermingle to tell a tale set in the not-so-distant future about disappearing spaces and the forces of policing and gentrification that drills this process forward.