Firangiz Mutallimova

The film is Elchin Elkhanli's diploma work. Filming began in the 3rd year and ended in the 4th year. The film "Inam" is dedicated to the dear memory of Elchin Elkhanli's art teacher - Honored Artist, director Tariyel Valliyev.

This film follows the events of the first film 28 years later.

The interesting events that happen to a 30-year-old city dweller on the eve of the magnificent celebration of Novruz in Baku. Bayram, who has been living an unsuccessful life, is determined to put an end to all his failures on this Novruz holiday. In accordance with tradition, he also makes a wish and jumps over a bonfire. The wish he wishes for is to live a problem-free life like a child! However, if you don't want to end up in an unthinkable situation, you should be careful about what you wish for. Otherwise, you may end up in a dead end like the hero of our film. His wish turned his life upside down and shocked his friends, fiancée, and everyone around him. No one can find a way out of the ridiculous and unbelievable situations he finds himself in. Moreover, since his wedding is only a few days away, the situation is getting even more complicated. His life is getting more difficult every passing day.

A drama about a film crew making a movie in an isolated mountain town famous for its ancient fortress, and what happens when the town is threatened by a modern-day foreign invasion.

The bullet-riddled statues of Shusha come to life, speaking and crying out in pain. Through their voices, the city’s past and present are placed face to face, revealing the scars of history and the cost of loss. As memories of culture, beauty, and destruction unfold, one truth emerges: the longing for Shusha is so powerful that it can resurrect even the silenced stone.

The film tells the story of the love affair between the son of the secretary of state, Riyad, and the simple woman, Nigar, and their steadfast overcoming of a number of difficulties they encounter in return.

Mrs. Leyli intends to marry a younger person. But since that person is already married and hides it at the first meeting, their love does not happen.

Mehriban's family is against their marriage. After a long struggle, the desperate couple decides to flee to Turkey together. After living in Turkey for a while, they return to Baku with one last hope. However, Mehriban's mother Malahat separates them again, and Sarkhan is beaten. Living in a psychological abyss, Sarkhan leaves the country and goes to work in Russia. After working for a year and a half, when he returns home, he receives news of Mehriban's death and decides to raise his daughter, who was left to him by Mehriban, on his own...

Zeynal marries a woman he considers wealthy - Naiba. However, things do not go as he expected and unexpected events happen to Zeynal.

The events take place in and around the families of former officials. Thus, when the former minister, the former chief, the former manager get drunk, they first fall into a sea of ​​grief, then forget that they have lost their positions, in short, a situation arises that cannot be avoided by ridicule.

The movie reflects the ecological environment of Sumgayit. After the collapse of the Soviet power, the old problems of the "new era" still persist. Although it is not mentioned in the movie, the new generation of people living in this city, which is named as Sumgayit, especially near poisonous plants, are born crippled and sick. There is a wide range of symbolic expressions in the film and there are interesting dream scenes.

The film is about commissary Chingiz Ildirim.

The events take place at the Scientific Research Institute of Ophthalmology in Baku. Shahbazov is the director of the institute. Despite the fact that he and Narmina, who work with him and have similar personalities, are educated and experienced doctors, the institute is undermining those who are ahead of them.

In the film-play, events get tangled as a result of the lovers' miscommunication. Although the dramaturgical contradictions of the work are formed by various attitudes towards folk customs such as engagement and wedding, the play focuses on the contradictions of the characters, not the events.

Being unable to shoot a film about Azerbaijani wedding customs, hopeless director decide to make a film about real wedding event. Though the stubborn father of bride resists approval the plan.

Follows the old man who retired, unable to adapt to city life, and his return to the village.

The film is about Gachag Nabi's heroism.

In this play, the barrier between Elchin and Gulnar grows even stronger. The tragic changes in Gulnar’s life lead her to leave her job. Elchin’s wife, Sarvinaz, finally realizes that Elchin is still in love with Gulnar, and therefore decides to separate from him. Now independent, Elchin immediately heads to the railway station to follow Gulnar, who wants to leave the city…

Elchin's appointment as the deputy director of the institute causes events to be controlled mechanically and by invisible forces, presenting the character of Vasif, who was mentioned only in name in the first part, in a new context. Returning to the institute, Elchin meets Gulnar again, and rumors are intertwined again.

Elchin and Gulnar meet for the first time. Although their words are not right at first, this quarrel later turns into love. However, Gulnar, unable to keep her father's word, has to sacrifice her love for him.

The sculptor Mahmud, an art student comes to his grandmother's village for vacation. He chooses his cousin Zumrad as a living model for his diploma work. When the work has finished, the relatives of Zumrad demand Mahmud to marry her. A young artist runs away. After all, he can't marry all the models he's working with...