Gyula Marosi

Blind luck ties the fate of two people together.

Benő Karácsony's best-known and most famous novel, The Sunny Side, was written in 1936. Its protagonist is Kázmér Felméri, at first a forced clerk, then a bumbling miller and talented sculptor, who, with his own unique outlook on life, lives his life in the greatest possible inner freedom among the typical characters of his small town in the typical milieu of the time.

Karesz's mother, a weaver who was widowed at an early age, is determined to raise her son to be a civil servant, but Karesz refuses to live up to expectations. First he drops out of high school, then of office work. He also becomes disillusioned with the masked world, and love does not complete his life. Slowly, he gets lost in the complexities of growing up...

The story of three sisters at the beginning of the 20th century who choose different paths to happiness after the death of their parents. While Ilona tries to keep the family business together and help her sisters, Jolánka and Anna see in men and marriage a way out. Three different female destinies, three archetypes and three excellent young actresses appear in Imre Mihályfi's film.

Blind luck ties the fate of two people together.

Benő Karácsony's best-known and most famous novel, The Sunny Side, was written in 1936. Its protagonist is Kázmér Felméri, at first a forced clerk, then a bumbling miller and talented sculptor, who, with his own unique outlook on life, lives his life in the greatest possible inner freedom among the typical characters of his small town in the typical milieu of the time.

Karesz's mother, a weaver who was widowed at an early age, is determined to raise her son to be a civil servant, but Karesz refuses to live up to expectations. First he drops out of high school, then of office work. He also becomes disillusioned with the masked world, and love does not complete his life. Slowly, he gets lost in the complexities of growing up...

The story of three sisters at the beginning of the 20th century who choose different paths to happiness after the death of their parents. While Ilona tries to keep the family business together and help her sisters, Jolánka and Anna see in men and marriage a way out. Three different female destinies, three archetypes and three excellent young actresses appear in Imre Mihályfi's film.