Takashi Nomura

A nurse is framed for medical malpractice. In prison she meets the boss of their cell who is in for a crime of passion. They both have a reason to escape... revenge.

In the shady black markets and bombed-out hovels of post–World War II Tokyo, a tough band of prostitutes eke out a dog-eat-dog existence, maintaining tenuous friendships and a semblance of order in a world of chaos. But when a renegade ex-soldier stumbles into their midst, lusts and loyalties clash, with tragic results. With Gate of Flesh, visionary director Seijun Suzuki delivers a whirlwind of social critique and pulp drama, shot through with brilliant colors and raw emotions.

After botching his latest assignment, a third-ranked Japanese hit man becomes the target of another assassin.

Goro had grown up in the yakuza world. As an active member of the Mizuhara family crime syndicate, he expressed his loyalty by always putting himself in the forefront of every battle. Violence never bothered him. However, after being sentenced to three years in prison for stabbing a rival gang’s hit man, he becomes disenchanted with the Yakuza life style. Goro is determined to start anew, but karma catches up. His two closest friends are murdered by his ex-boss. He is left with two options: to kill or be killed.

Joe, Okita, and Serizawa hear of the armed robbery of a truck carrying one billion eighty million yen's worth of Mint paper. Knowing that the thugs will now need a counterfeiter to make the bogus bills, they each decide to cash in on it by selling them the idea that they need Sakamoto, the best counterfeiter in Japan. A seesaw game unfolds between the three men as each tries to outdo the other two in handing over Sakamoto for one million yen to Hijikata, the big boss, who intends to make counterfeit money with the stolen paper. A little belatedly, they realize it needs their combined forces to outwit Hijikata and they raid his place together. Outnumbered, however, they are thrown into a basement room and the gas is turned on. Certain death stares them in the face, but the three men are not ones to take things lying down....

When a mysterious stranger muscles into two rival yakuza gangs, Tokyo's underworld explodes with violence.

A nurse is raped in a doctor's office. The caresses of the perpetrator keep coming to her mind after the assault. She will start a search for the perpetrator that will show her a darker side of her medical institution.

In the city of Yokosuka, Kinta and his lover Haruko, both involved with yakuza, brave the post-occupation period with a goal to be together.

Several high-school friends spend their final summer together indulging in sex and leisure; their halcyon days are soon coming to an end.

An unofficial sequel to Million Dollar Match (1961) which also starred Koji Wada as a young energetic boxer. This story deals more with betting action surrounding a boxing match, concentrating mostly on the high-powered Yakuza gambling dens.

Kitagawa is an engineer charged with construction of a gigantic tunnel through the Japan Alps for the transportation of equipment in the building of the massive Kurobe Dam. The tunnel crosses an earthquake fault and Kitagawa is beleaguered not only by cave-ins and flooding, but by strife between management and the workers's union. Adding to Kitagawa's stress is the knowledge that as his attention is pulled inexorably toward the tunnel construction, his youngest daughter is dying from leukemia.

1967 Nikkatsu film.

1962 Japanese movie

1962 Japanese movie

Strife between competing lumber mills.

Akira, a young, jazz-obsessed drifter, returns to his squat, a ruined church, and finds Gill, a wounded African-American GI, on the run after the death of a white GI. Despite terrible misunderstandings and culture clash, Akira agrees to help Gill escape towards the sea, dodging military police along the way.

Tajima is a private detective in charge of his own company, Detective Bureau 2-3. When warring criminal gangs go overboard by robbing U.S. military munitions, Tajima steps in to stop what the cops can't.

Wild young people kidnap a wealthy woman and she becomes attracted to one of them. When she tells the man that she is the mistress of a religious leader, he and his posse make plans to rob her partner.

1962 Japanese movie

A nanny, played by Sayuri Yoshinaga, who lives and works in a Tokyo family, causes all kinds of waves with her outspoken personality and behavior in this charming coming-of-age blockbuster.

Hanayome wa Jūgo-sai, directed by Mio Ezaki and distributed by Nikkatsu, stars Masako Izumi and Ken Yamauchi. The high-key pink background and casual photographic portrait embody Nikkatsu’s 1960s youth-film aesthetic. Clean, hopeful, and pop-oriented. The large white title, handwritten for a softer impression, injects playful energy that contrasts with the strict vertical text blocks. As Japan’s youth culture blossomed after the 1964 Tokyo Olympics, posters like this captured the spirit of romance and rebellion marketed to teenage audiences. The vivid color palette and carefree composition signal a stylistic shift from postwar black-and-white melodrama to the vibrant optimism of modern Technicolor cinema.

Newly out of prison after killing his boss' rival, Akio Maki is eager to move on and start a new life with the boss' daughter. However, the chains of the past are not so easily broken and Maki is soon ordered to kill again.

1962 Japanese movie

One day, Yumiko, an office worker, is called in by the managing director. Having been holding in her urge to urinate, she is ordered by the managing director to relieve herself in front of him, and embarrassed, she urinates into a vase. Later, when section chief Suzuki invites Yumiko on a drive, he takes her virginity that same day, awakening her to the pleasures of sex.