Kristian Hoffman

Called "The American Bowie," "The True Fairy of Rock & Roll" and "Hype of the Year," Jobriath's reign as the first openly gay rock star was brief and over by 1975. Now, 35 years later, "Jobriath A.D." spotlights his life, music, groundbreaking influence and the new generations of fans slowly re-discovering him.

As he turns 50, filmmaker Pini Schatz sets out to explore his life-long obsession with the band Sparks (the brothers Ron and Russell Mael). Pini charts the impact of Sparks on his life while meeting with fellow Sparks fans, among them famous musicians, in Tel Aviv, London, Berlin, Rotterdam and NYC. Structured as a personal quest of the filmmaker to prove that Sparks are the coolest underrated band in the history of popular music, this docu-comedy explores the universal themes of growing old and being an outsider, the importance of art in daily life and the power of non-conformism.

Hot Chicks is a unique omnibus collaboration that adapts several of the widely-read palm-sized religious comic book tracts that have been published by Jack T Chick since 1958. Over 400 million copies of Chick's easy-to-read work have been distributed in over 70 languages around the world, to spread his message of born again salvation.

Looks like an alien, sings like a diva - Klaus Nomi was one of the 1980s' most profoundly bizarre characters to emerge through rock music: a counter tenor who sang pop music like opera and brought opera to club audiences and made them like it. The Nomi Song is a film about fame, death, friendship, betrayal, opera, and the greatest New Wave rock star that never was!

Eldest son Lance, of the Loud family profiled on PBS in 1973, became the first openly gay man on television and a gay icon for his generation. When Lance entered hospice in 2001 with a terminal HIV and hepatitis C co-infection, he asked original filmmakers Susan and Alan Raymond to film a final episode of the series. Lance reflects upon his days with Andy Warhol, his band The Mumps, a career as a writer and the experience of being the first reality TV star. It is a celebration of life and a cautionary tale.

Based on the true story of four Nazi saboteurs who infiltrated the US in 1942 and were quickly caught and executed, this 80-minute ode to America's irresistibly corruptive allure was the only underground feature by writer-director Anders Grafstrom. A Swedish art director who relocated to NYC, he created this grandiose No-Wave, Super-8 color-epic at the age of 23, only to die in a Mexican car accident a few months after completing the film.

Nares mocks up Ancient Rome by shooting in faux-classical sites including Tribeca's American Thread Building, where a decrepit penthouse loft with a peeling-paint dome serves as an echoey stand-in for the imperial palace. The latter location required ingenuity: Posing as potential renters, Nares and associates asked the manager to show them the apartment, then unlocked the windows on the way out; a few hours later, they broke back into the space, full cast and crew in tow, to shoot the necessary scenes.