Samuel de Assis

Surrounded by a lazy husband, a pedantic stepson, a sexist boss, a self-centered friend, and a neighbor who ruins her sleep with frequent parties, Bia must exert enormous energy to maintain control. But the arrival of a young influencer who takes a higher position than her at the magazine where she works is the final straw. On the verge of a breakdown, Bia ends up being treated by Deusa Xana in a kind of esoteric session. As a result, she frees herself from all filters and begins to practice zero tolerance for all the absurdities that affect her daily life.

Authorized biopic of Brazilian evangelical bishop Edir Macedo, founder of the Universal Church of the Kingdom of God and owner of Record TV network. Based on a book trilogy of the same name, the movie tells the story of the self-made man who faced several moments of turbulence while pursuing his conviction.

When journalist André Ramos, leader of the opposition to the government, has his dog mysteriously kidnapped, he begins an investigation to prove that he is the target of a political persecution scheme.

In a school on the outskirts of São Paulo, social worker Sônia needs to remove nine-year-old Kairo from the classroom to have a difficult conversation.

Miguel is a federal agent, highly trained and skilled in weapons. After experiencing trauma in his personal life, he sets out on a journey of revenge, assuming the identity of a masked vigilante. The Awakener decides to do justice with his own hands by exterminating corrupt politicians.

A biography of spiritual medium and author Francisco Candido Xavier.

Three siblings devise a plan to get their divorced parents to spend Christmas together.

From 2000 to 2007, Teat(r)o Oficina Uzyna Uzona worked on the staging of Euclides da Cunha's epic book, Os Sertões, which describes the 19th Century War of Canudos in the Brazilian "sertão"(backlands). The result was the pentalogy of plays: A Terra (2002), O Homem I (2003), O Homem II (2003), A Luta I (2005), and A Luta II (2006). This first play is a carnival opera, the actors are the earth, the vegetation, the wind, the animals, the rivers, the drought. It reveals the most intimate secrets of nature, that also vibrate in the human and trans-human arteries. This work enriched by the experience that the subsequent works brought gains an updated insight into the human interference in the environment. Destructive power is proportional to financial power, and the discussion about the way space gets occupied was brought to the forefront, including the real-estate boom that surrounds today not only Teatro Oficina, but the whole world, now hotter and more arid.

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

Over the years, the monthly meetings of the Stew Club – a fraternity that has gathered seven long-time friends for decades – has gone from rituals of power to melancholic failure assemblies. The end would be its only worthy fate. Until a mysterious cook appears, and starts serving them magnificent feasts. The bonds of friendship are back, gluttony as a celebration of life. But there is a catch: after each dinner, a member of the brotherhood is found dead the next morning.

Open City Radio broadcasts the "Wherever You Are" program on a weekly basis, where people try to communicate with missing relatives and friends. Behind the scenes of the program several life stories cross and become.

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.