Tina Melinda

During the revolution, Jaka takes refuge and entrusts his house to Husin. Husin then rents the house to someone else and Maryam has to face this bitter fact. She is visited by Danu and his wife Ratih, whom Danu likes to spoil, using state funds. He is arrested when his baby’s shower party is being held. Out of shock, his pregnant wife prematurely delivers the baby and loses a lot of blood. While the others are busy panicking, the cool and composed Ridwan donates his blood. This act of compassion attracts Ros’s attention and she falls in love with him.

When his twin brother is abducted and considered dead, the younger twin marries his brother's lover. Suddenly, the older twin returns but when he finds his former lover now married to his brother, he decides to return to the forest where he had been held hostage all this time.

A wealthy man marries twice. His jealous second wife murders the first and gets away with it and then plots, along with her daughter, to do away with the stepdaughter.

Thanks to the success of the film "Crisis", produced by Perfini, there is a tendency to make similar stories. There are no main characters in this film, except for the somewhat prominent ones, namely the patient teacher (A. Hamid Arief) and his talkative wife (Tina Melinda). It also depicts the lives of several families in a house like in "Crisis".

During the time of the confrontation, a group of young men led by Harun broke through the barricades of the Dutch navy patrol and landed at Mentawai Island. Their special mission is to detain Kafedo who is accused of collaborating with the enemy. Both men are romantically involved with Hiya. When the Dutch troops land on the island, Kafedo bravely demonstrates his love for the nation. So in the end, Harun allows Kafedo to marry Hiya.

Maria (Suzzanna) goes to prison for murdering her own father. Upon release, she becomes a prostitute and then has a difficult time maintaining a romantic relationship with a young painter once she decides to get out of the business.

Teacher Prapto (Rd Sukarno) helped build the nation by educating the people on a mountain slope in Central Java. One day the mountain erupted, the people fled. Lasmijah (Risa Umami) left her daughter Yati to follow her husband, Prapto. In fact, Prapto rushed home. Prapto only met Yati, and then lived in his hometown, Salatiga. There he met Sutinah (Tina Melinda), then married her. Meanwhile, Lasmijah, who was disabled, looked for Prapto and Yati.

Set in a time of guerrilla revolution and told in flashback, two friends, Rustam and Guscik, are members of ABRI (the Indonesian Armed Forces), who are on battle duty even after Indonesia gains full independence in 1949. They successfully defeat a subversive group lead by Aman, on Burung Island.

Set in the era of Dutch colonialism, Landlord Kedawung is devastated by his first wife’s death. But apparently, her death is something that the second wife, Zubaedah, has been waiting for.

No synopsis available yet.

Husin bin Said (Udjang) suddenly got the inspiration to become a shaman. He put up a nameplate. So in droves of people came asking for help: people who intend to become cultural attaches, members of parliament, wives of officials whose husbands are dating again, producers, aspiring film stars, etc. For some reason, film producer Henry Bross (S. Bono) and aspiring film star Mimi (Diana Subroto) have succeeded in making Husin try their best to help carry out their intention. This story is also the main pillar of the film, besides being an opportunity for the director to mock the world of film. Moreover, then came Husin's friend, Pedro (Rd. Ismail), an old and unused performer who still had illusions about his triumph as an actor. Husin's house is next door to the family of Jaka Prawira-Mariam (R. Sukarno, Tina Melinda). To this house came their in-laws, RA Berlian (Edifah Hanoem), a controlling noble.

An impending visit from a VIP causes chaos and confusion in the small, isolated village of Sukaslamet. Things take a hilarious turn when the herbal medicine seller is mistaken for the exalted guest and is accorded a ceremonial welcome in the most elaborate Javanese style.