Marina Gapchenko

There are two of them: a mother and a girl. They have no names. And they are in a constant run. The mother runs away from the daughter in an attempt to start new life, and the girl runs after her mother as she has no idea how to live without her. This endless run is full with repeated mistakes and resembles a barrel-organ sorrowful song or a spinning-top rotation. This small ridiculous toy "volchok" was the first toy in the girl's life, the only thing that tied her with the mother.

On the verge of divorce, Max comes to his ex Irina's to pick up his son Dima for the autumn holidays, but then it turns out that the child has run away from home. The worried parents set off in search in the car of family psychologist/Irina's part-time boyfriend Vlad. Learning that Dima ran away to the village to Max's father, Bata, Max recalls, on the drive, how his parents, during their divorce, sent him to the village, about their life together, his first love and childhood friends.

In Yekaterinburg over the Christmas period, shop assistant Lenka Shabadinova experiences a number of incredible events and unexpected meetings.

Ten-year-old Tyoma befriends a fallen meteorite that wanders the streets, wreaking havoc on the locals. Only Tyoma knows the true reason for this behavior—the meteorite is searching for its fragments. Trying to save his friend from destruction, he must convince his father to believe in miracles.

Film about the life of a modern Siberian Tatar village on a forgotten stretch of the Silk Road.

This is the story of two sixteen-year-olds, Alexandra Makarova and Danila Krasnov, who are fighting for their love and their right to be themselves. In order to be together, they must escape from their homes, go into hiding, and lead a double life. Trying to protect their freedom of choice and their individuality, they cross the line and turn into Bonnie and Clyde on the run, trying to avenge the world that has no room for them.

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