Emmeli Stjärnfeldt

The girlfriend Klara has recently fallen in love and wants nothing more than to hang out with her boyfriend. The mother-of-two Anna clocks how long it takes for her husband to cook baby formula. The ex-wife Vera can't let go of her ex-husband. The feature-film debuting Katja Wik presents a squib right on the money about women's tendency to, both consciously and unconsciously, limit themselves in their close relationships of two. Each frame conveys the film's theme of power manipulation and Katja Wik's neologism "victim-mentality rhetoric" (offerrollsretorik) is used by all parties as an effective weapon. Without stagnating in bitterness, The Ex-wife serves as a funhouse mirror reflecting this disturbing trait, which most of us can recognize, but which few dare to acknowledge

A short film about women who is comfortable in their role as victims.

A group of young robbers, specializing in robbing shopping center security guards, are raging through out Gothenburg. A robbery goes awry when an innocent passerby is killed. Ricky, the gang's young leader, tries to quickly find an expert who can clean the money of the dye pack that exploded while Johan Falk, and his colleagues at GSI, accelerate their hunt.

An artist has chosen a famous male actor for them together, in the context of a feature film, to deconstruct themselves and their invading roles. They engage in a boundless play with their surroundings in an exploration of identity, male and female.

Erika is mentally bruised and starts group therapy with people seeking absolute anonymity.

Musse is a mannerly local doctor trying to live by the rules, but the challenges from his environment threaten his ability to control situations and he becomes the person he despises.

Erin escapes from a brothel. Desperate for money she cheats her way into a job at a nursing home but ends up stealing cash and going on the run, kidnapping one of the patients in the process. But Erin's frantic escape gradually turns into an inspirational and revealing road trip due to the unconventional relationship which develops between her and her kidnap victim, a seventy-year-old man.

The influencer Isabell is going to test Punani Steam in front of her followers. But what was supposed to be a shiny beauty post gets unforeseen consequences and when Isabell tries to explain the situation to the uncomprehending nurse over the phone, it all seems far from her glamorous internet persona.

A support worker at an isolated residence gets disturbed when a silent newcomer arrives, dressed as a western heroine.