Directing
Robert C. Banks
Born
1966-09-07 (60)
Place of birth
Cleveland, Ohio, USA
Known for
Directing
Credits
5 titles
Robert C. Banks, Jr. (born 1966) is an American cinematographer and film artist. Banks attended the Cleveland School of the Arts, and has taught film at Cuyahoga Community College, the Cleveland Institute of Art, and Cleveland State University. His best known work is the 1992 film, "X: The Baby Cinema", a 16mm short film which chronicled the commercial appropriation of the image of Malcolm X. The movie appeared on the compilation video The Best Of The New York Underground - Year One. The 1994 feature documentary film, "You Can't Get a Piece of Mind" explores the world of Cleveland musician and Vietnam veteran, Dan "Supie T" Theman. Banks has had his films shown at the Sundance Film Festival,…
Known for
1.0Tale of life, love and the pursuit of happiness... in Cleveland. Nine vignettes about love: an old war hero defends the honor and memory of a long-lost love; a man's past comes to light in the midst of a perfect date; a recently separated paramedic gets more than he bargains for when he is thrust in the middle of a domestic dispute; a desperate man employs his friends in an elaborate scheme to meet the girl of his dreams, a recovering sex addict returns home to start a new life. There are thousands of stories of love, lust, loss and despair all over Cleveland-these are just a few of them.
Made in Cleveland
2013
5.0“Paper Shadows” is a surrealist, nonlinear satire about the creative & emotional angst shared by an elderly black man and a young white female art student. Shot on 35mm black and white film using anamorphic optics for the 2:35.1 aspect ratio, the central characters represent the racial, class, gendered, and generational gaps and complexities in society. The film, through image and sound manipulation, explores ideas and identity that are rarely explored and contrasted in mainstream narrative films. The characters indulge in a Walter Mitty type fantasy involving a grant fellowship competition, mysticism and espionage intrigue within the fictional philanthropic organization that effects both characters as they unite to oppose and combat.
PAPER SHADOWS
2020
NRFilm by Robert C. Banks
Color Me
—
8.0An examination of 100 years of African Americans being murdered in movies.
Motion Picture Genocide
1997
NRDrawing by hand directly on 16mm film, Banks challenges commercial appropriations of the image of Malcolm X.
X: The Baby Cinema
1992
Behind the camera
1.0Tale of life, love and the pursuit of happiness... in Cleveland. Nine vignettes about love: an old war hero defends the honor and memory of a long-lost love; a man's past comes to light in the midst of a perfect date; a recently separated paramedic gets more than he bargains for when he is thrust in the middle of a domestic dispute; a desperate man employs his friends in an elaborate scheme to meet the girl of his dreams, a recovering sex addict returns home to start a new life. There are thousands of stories of love, lust, loss and despair all over Cleveland-these are just a few of them.
Made in Cleveland
2013
5.0“Paper Shadows” is a surrealist, nonlinear satire about the creative & emotional angst shared by an elderly black man and a young white female art student. Shot on 35mm black and white film using anamorphic optics for the 2:35.1 aspect ratio, the central characters represent the racial, class, gendered, and generational gaps and complexities in society. The film, through image and sound manipulation, explores ideas and identity that are rarely explored and contrasted in mainstream narrative films. The characters indulge in a Walter Mitty type fantasy involving a grant fellowship competition, mysticism and espionage intrigue within the fictional philanthropic organization that effects both characters as they unite to oppose and combat.
PAPER SHADOWS
2020
NRFilm by Robert C. Banks
Color Me
—
8.0An examination of 100 years of African Americans being murdered in movies.
Motion Picture Genocide
1997
NRDrawing by hand directly on 16mm film, Banks challenges commercial appropriations of the image of Malcolm X.
X: The Baby Cinema
1992
