Matías Rodríguez

A writer (Ruy Gatti) arrives to an unoccupied house where he hopes to find inspiration. He places the typewriter on the desk and takes off the sheets covering the furniture. Among them, an old mirror in which he sees his own reflection. He couldn't imagine that that little gesture would seal his fate.

Santiago decides to start a family with his girlfriend Ana, even though she is pregnant with her ex, Pancho's. However, the real challenge will come when Pancho unexpectedly returns from Miami to get involved in the pregnancy, unleashing a series of comical and chaotic situations in his home.

A lonely archive worker’s monotonous routine gives way to hallucinations that spiral from sensuality into paranoia, as a deadly presence begins to hunt her through the corridors.

A writer (Ruy Gatti) arrives to an unoccupied house where he hopes to find inspiration. He places the typewriter on the desk and takes off the sheets covering the furniture. Among them, an old mirror in which he sees his own reflection. He couldn't imagine that that little gesture would seal his fate.

Santiago decides to start a family with his girlfriend Ana, even though she is pregnant with her ex, Pancho's. However, the real challenge will come when Pancho unexpectedly returns from Miami to get involved in the pregnancy, unleashing a series of comical and chaotic situations in his home.

A lonely archive worker’s monotonous routine gives way to hallucinations that spiral from sensuality into paranoia, as a deadly presence begins to hunt her through the corridors.