Isabel Santos

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Ricki travels to Cuba after many years to meet his girlfriend Beatriz, but she has changed a lot; Claudia, in a desperate search for money to buy a house, tries to scam a drug dealer; and Celina, a necrophiliac prepares to spend a weekend with a corpse.. Three dark love stories that, thanks to various unforeseen events, will intertwine until they become the revelation of the plot of a film that at the end of the story illuminates the drug dealer.

A car accident. The victim is Nelsito, a 16-year-old autistic teenager, who has runaway from home. From his stretchter and through his imaginary pen, Nelsito reveals the dark and hidden side of all those around him: perverse children, murderous women, adorable swindling girls... Until he recovers...

Sun is setting on Havana. Five friends are gathered to celebrate the return of Amadeo after 16 years of exile in Madrid.

In 2008, Sergipe teachers engaged in legal struggle with the state government to prevent the loss of rights already won. 30,000 teachers from all over the state leave their schools and go on a long journey to fight in the capital Aracaju. The challenge is to convince the judges of the Court not to vote for the end of the teaching career. The trial is postponed twice and the battle lasts for a month. In the midst of this struggle between government and teachers, Professor Ana Rosa lives the challenge of being a mother, a woman and a union leader. She needs to reconcile the multiple tasks of professional and domestic life, but her husband's incomprehension and the macho vision of his own mother make his journey even more challenging.

In 90's Habana, a nurse and a home builder, hopelessly in love, live happily married. A circumstantial fact of her past life will put their feelings to test and undermine the most elemental principles.

After languishing in a Barcelona prison for nearly a decade, a busted bank robber attempts to find the girl who made off with the cash in this suspenseful tale of revenge and betrayal starring Adriana Gil and Eduard Fernández. Ex-con Martin Losada is out of prison and on the hunt. When he and his band of anti-Franco bank robbers were busted after a botched heist ten years ago, the only member of their team never caught by police was his long-gone ex-girlfriend Julia. Now, on the eve of the 1958 revolution, the recently released ex-con sets his sights on Havana in a determined bid to find Julia, and stake his claim on his rightful share of the take.

Based on the life of Benny Moré, the film concentrates on a period in the early 1950s when Moré leaves the orchestra of Duany and starts his own 'Banda Gigante'. In flashback we learn of his success in Mexico. Moré is caught in the events connected to Batista's coup in Cuba. Also, he tours Venezuela, where he suffers the machinations of a vengeful businessman. After collapsing and being hospitalised, Moré swears off alcohol. Some years later, he encounters his old band-mate Monchy, fallen on hard times.

Starting in La Higuera in 1967, where Ernesto Che Guevara's body is secretly buried, *Say Good Morning to Dad* revisits this place every ten years, focusing on the impact of the event on three generations of women.

When his father dies, a Cuban man who was raised in the United States, learns that he was not abandoned by his mother but illegally taken out of Cuba. He goes back to the island and is helped in his search by a cousin and a taxi driver.

Three sisters leave Cuba in search of a better life in Madrid. While there, they encounter, among other things, other Cuban expatriates.

The life of a Cuban worker is confronted when his mother, who flew to Miami abandoning him when he was an adolescent, announces her arrival and intention to stay with him, in her old apartment in La Habana.

It's an open wound. With Estrés, Marilyn Solaya doesn't seek to tell stories: she exposes them, shakes them up, leaves them unanesthetized. In six intertwined stories, the director turns everyday life into an emotional battlefield, where poverty, love, illness, and dignity clash relentlessly.