Andrey Stoyanov

The testament of a former concentration camp prisoner confronts and turns the lives of two young people from different worlds around, shedding light on the tragic history of their family.

The main characters are above the law. They are a group of police investigators wallowed in criminal activities. But the criminal scheme worked out by the experienced d team begins to fail. There appears to be a mole reporting directly to FSB. When Pepl finds himself in a life threatening situation he starts thinking about the existence for the first time ever. Once he begins to think he can not go back to his former self. The team begins to suspect that he is a mole. The former coworkers turn into mortal enemies.

Alex is a charming adventurer who substitutes for a contestant shaman who dropped out at the shooting of a high-rated television show, popular among psychics. He repeats a prophecy on the air that he overheard backstage. He foretells that someone in the audience is doomed to everlasting solitude and that her nearest and dearest will turn their backs on her. Alex has no idea that what's been going on is no coincidence: he has become involved in a long-standing rivalry between two powerful wizards. These psychics have drawn him into a dangerous, mystical game with no rules. Strange events start to take place in the life of Tanya, the girl Alex "cursed" at the show. Alex tries to assure her there is no "curse" at all, and slowly falls in love with her. Still more signs manifest showing the prophecy is true, and it begins to threaten Tanya's life. To save himself and Tanya, Alex is forced to find a way out of this mystical mess.

She always has a plan. For each his own. For everyone another name. One needs Vera (Faith), another Nadezhda (Hope). And almost all need Liubov (Love). She leaves every one at his own time. She finds a reason. But who knows where deceit ends which people buy only for the sake of money, and when genuine feelings begin? And who knows who she is: just a kept woman in the capital, or an artful swindler, or a talented actress, or a woman who is able only to love? To love them all.

This is an ironic, sometimes frankly ridiculous and at the same time sad story about the everyday life of the so-called “upper middle class” - glorified by Woody Allen in America, but still very small in Russia among wealthy citizens. In addition to the enviable affluence, all these businessmen, movie directors, fashion directors, owners of dental clinics and their beautiful wives who are stuck in existential doubts and trivial adultery, are also united by their sonorous `pioneers` (Russian boy & girl scouts) past, which sometimes turns out to be much more difficult than to build a mansion in New Riga...

Office plankton is a dangerous animal if pissed off. Three unsuccessful managers unite in an almost criminal gang in an attempt to overthrow the insolent boss who shamelessly rob the company.

The Russian president decides to go on vacation. To do this, he changes his appearance with the help of prosthetics and make-up, but the hapless artist takes the cover image of the first magazine he sees laying around, and now the President looks exactly like the narcissistic marginal Valera who's hiding from the collectors. Ironically, the FSO's vigilant employees put surveillance on the wrong subject and while the real head of state plunges into commonness, goes on a road trip with fellow traveler Zina, Valera gladly enjoys the presidential service, simultaneously voicing opinions on foreign and domestic policy issues ...

A family living on the outskirts of Moscow are mired in quarrels, discomfort and mutual oppression. They spit negative emotions at each other, forgetting about love, compassion and God. A tragedy will take them through a belated catharsis.

Colonel Koloda, recruited by foreign intelligence, stole secret documents of national importance. In fact, the documents are fake, disinformation for foreign intelligence agencies. The surveillance of the traitor leads the operatives to the bank, where he leaves the documents in the cell number 69. To establish who will come for them, Captain Alexey Vereshchagin comes to the bank under the guise of a client. Ironically, it is this bank that Mikhail Druskin, a desperate candidate of sciences and single father, wants to rob. When he sees the police, he takes the bank's visitors hostage in fright.