Ayaal Adamov

When her older sister dies, a woman returns from Saint Petersberg to a remote village in Yakutia. Bit by bit, a drama of epic proportion unfolds—accompanied and intensified by the Yakut throat singing of the two women. Although the camera lets us viscerally feel the state of limbo she finds herself in, the woman manages—together with her niece—to go her own way. Atmospheric and moving.

Life circumstances, curiosity, corruption, ignorance. Four sinister stories based on folk legends. A bunch of friends gathers around an Ouija board. Two hunters wake up in a hut in the middle of woods. A young guy arrives at a rural community on a business trip. A stranger in a stolen car is trying to leave the area. None of them has an idea that during the mysterious Tankha season THEY come to our world...

The shores of the Laptev Sea, a place of endless tundra and nothing except the tiny Evenk village of Naiba. How do these people live there? What do they do?

When her older sister dies, a woman returns from Saint Petersberg to a remote village in Yakutia. Bit by bit, a drama of epic proportion unfolds—accompanied and intensified by the Yakut throat singing of the two women. Although the camera lets us viscerally feel the state of limbo she finds herself in, the woman manages—together with her niece—to go her own way. Atmospheric and moving.

The shores of the Laptev Sea, a place of endless tundra and nothing except the tiny Evenk village of Naiba. How do these people live there? What do they do?