José María Marcos

Julia works as a waitress on the night shift of the Comodoro Rivadavia casino. There, she meets Gwynfor, a customer who offers an interesting work opportunity in the oil industry. And so, what starts out as a morning appointment, résumé in hand, becomes a nightmarish journey in the middle of the arid landscape of Patagonia, a space Ulises Rosell uses with the cinematic power of a western, with the inclemency of the sun and the darkness of night ravaging the protagonists. Inspired by the stories of captive women from the 19th century,

Eva, her son Luchi and her sister Teresa vacation in the usual town. It is Eva’s first trip after her separation, but the first night they end up in the emergency room because Luchi has an accident. Between the doctor’s reprimands and shared laughter, the sisters confess their fears.

At a summit for Latin American presidents in Chile where the region's geopolitical strategies and alliances are in discussion, Argentine president Hernán Blanco endures political and family drama that will force him to face his own demons.

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Cecilia is too afraid one night to let her housekeeper's son into the house. The next day his dead body is found.

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