Louise Ryme

Swedish thriller based on Stieg Larsson's novel about a male journalist and a young female hacker. In the opening of the movie, Mikael Blomkvist, a middle-aged publisher for the magazine Millennium, loses a libel case brought by corrupt Swedish industrialist Hans-Erik Wennerström. Nevertheless, he is hired by Henrik Vanger in order to solve a cold case, the disappearance of Vanger's niece

The girlfriend Klara has recently fallen in love and wants nothing more than to hang out with her boyfriend. The mother-of-two Anna clocks how long it takes for her husband to cook baby formula. The ex-wife Vera can't let go of her ex-husband. The feature-film debuting Katja Wik presents a squib right on the money about women's tendency to, both consciously and unconsciously, limit themselves in their close relationships of two. Each frame conveys the film's theme of power manipulation and Katja Wik's neologism "victim-mentality rhetoric" (offerrollsretorik) is used by all parties as an effective weapon. Without stagnating in bitterness, The Ex-wife serves as a funhouse mirror reflecting this disturbing trait, which most of us can recognize, but which few dare to acknowledge

The Beck group, with Alex Beijer as new group manager, is given a case where a 12-year-old girl found her mother dead below the stairs at home. Is it an accident or would someone have the single mother something bad? It turns out that the family lives with a protected identity and during the investigation, the case takes several surprising twists.

Amateur vigilantes Bibi and Kenneth must prove that the man they've taken hostage really is the internet pedophile they're looking for.

Oona is looking for a bed in a Stockholm where the housing shortage is maximal and the sun never seems to go up. One night she gets to sleep at Agneta's place. But what does Agneta really want in exchange?

Good-evil, black-white, woman-man, African-European, us-them. In Four Women we follow Frida's journey from Zanzibar through France and finally to Sweden. We witness her transformation, which reveals a world divided by a colonial heritage.

Sune and Sophie are going on a class trip, "the secret journey". It turns out it is the same date as Sune's favourite grandpa is getting remarried. And his grandpa wants Sune to be his best man. When at grandpa's he changes his mind. He has to go back to the classtrip. After this we are on a road trip, Sune is chasing Sophie and the class - and his parents are chasing Sune.

Bjarne runs a moving company with his wife Malin, but it is shaky and they need to borrow money. Across the river lives Bjarnes father Halvar. The two have never pulled evenly, which stems from a 20-year conflict filled with idle words, grumpy pride and stubborn prestige. In order to rescue the firm Malin sees no alternative but to go across the river to ask Halvar to cater for the loan. A decision that will have unexpected consequences.

Enemies is the latest project by Unity's award-winning Demo Team, written and directed by Veselin Efremov. It showcases Unity's capabilities for powering high-end visuals in 2022, including the latest improvements to its High Definition Render Pipeline (HDRP), new high-end Adaptive Probe Volume lighting system, an all-new strand-based Hair solution, and an evolved Digital Human toolkit.

A charismatic womanizer is deprived of his leadership and betrayed by his own people.

Unity’s award-winning Demo Team, creators of “Adam”, is excited to announce Book of the Dead, a first-person interactive demo showcasing the capabilities of Unity 2018 for powering high-end visuals for game productions (Overview from unity3d.com).

Anna lost her child in an accident. Estranged from mundane life she has stopped feeling physical pain. Numb, she decides to end her life throwing herself out of a window. Miraculously Anna survives and wakes up in a nursing home where she befriends a nurse and a young boy. Slowly Anna starts to create meaning to her existence in hope to be able to carry on living. But how does this created meaning relate to the actual reality? Anna seems struggling with how to perceive her surroundings.

Aaron is academically gifted, loved, loving and free. Struggling financially to remain in university education, he is introduced to a mysteriously wealthy man who promises him the world. What Aaron gets instead is isolation, confusion and vilification.