Lio Mehiel

A college professor finds herself at a personal and professional crossroads when a star pupil levels an accusation against one of her colleagues, and a dark secret from her own past threatens to come to light.

Inspired by actual events—and the love story at the center of it all. WeWork grew from a single coworking space into a global brand worth $47 billion in under a decade. Then, in less than a year, its valuation dropped $40 billion. What happened?

Evan Hansen, a high schooler with social anxiety, unintentionally gets caught up in a lie after the family of a classmate who committed suicide mistakes one of Hansen’s letters for their son’s suicide note.

Mary Ann returns to present-day San Francisco and is reunited with her daughter and ex-husband, twenty years after leaving them behind to pursue her career. Fleeing the midlife crisis that her picture-perfect Connecticut life created, Mary Ann is quickly drawn back into the orbit of Anna Madrigal, her chosen family and a new generation of queer young residents living at 28 Barbary Lane.

Cameron Black is the world's greatest illusionist. At least, that's what people used to call him—before his greatest secret was exposed and his career destroyed. Even worse, Cameron has good reason to believe this was no accident.

Amanda Ogle is a woman living in her aging Toyota Camry on the streets of Seattle. When her car is stolen and impounded, she’s thrust into a relentless legal battle against an indifferent system. What begins as a fight to reclaim her car evolves into a deeply human story of resilience, dignity, and the power of one woman’s voice in the face of systemic failure.

Inspired by actual events—and the love story at the center of it all. WeWork grew from a single coworking space into a global brand worth $47 billion in under a decade. Then, in less than a year, its valuation dropped $40 billion. What happened?

Mary Ann returns to present-day San Francisco and is reunited with her daughter and ex-husband, twenty years after leaving them behind to pursue her career. Fleeing the midlife crisis that her picture-perfect Connecticut life created, Mary Ann is quickly drawn back into the orbit of Anna Madrigal, her chosen family and a new generation of queer young residents living at 28 Barbary Lane.

Cameron Black is the world's greatest illusionist. At least, that's what people used to call him—before his greatest secret was exposed and his career destroyed. Even worse, Cameron has good reason to believe this was no accident.

An unnamed figure picks up a young man in his car. As the two drive together, and settle into an austere rental house in the country, the details of their arrangement become guttingly clear.

The year is 1987. Before moving out of his childhood home, a guarded, young gender-queer person must share his true identity with his father. Bayberry is the name of the house, our story, and the young man who serves as your guide in witnessing this coming out moment between father and child. He will accompany you as you are surrounded by the characters' contradicting painful memories and hopeful visions of the future.

The year is 1987. Before moving out of his childhood home, a guarded, young gender-queer person must share his true identity with his father. Bayberry is the name of the house, our story, and the young man who serves as your guide in witnessing this coming out moment between father and child. He will accompany you as you are surrounded by the characters' contradicting painful memories and hopeful visions of the future.

A freshman girl sneaks out to counsel her senior friend. His actions make her question the boundaries of "friendship."

Two queer exes reunite at a party.

In Entre Amigxs, co-directors Lío Mehiel and Robert Nachman spotlight five trans and gender expansive artists living in Mexico City, compiled from Super 8 footage, 16MM film, and camcorder clips of moments between friends. Translated as Between (queer) Friends, the film engages with the individual journeys that contribute to a sense of collective freedom, exploring a community forging a space for themselves outside the dominant paradigm – through art, community, queerness, and living beyond labels.

A young, gender-queer person returns home to find his family has left, and the house has been sold. Perhaps they would still be there if he had come home as the Jane they all know.