César Robinson López

Hugo becomes captivated with Octavio, a middle-aged local boxing champion, but their relationship is tested when Hugo finds a new job in the city.

By a dissociated Santiago de Chile the old figure of Bareta transits in search of Carranza, who was once his partner and now his enemy. Bareta, a man who knows the invisible faces of the city, moves from place to place and from fantasy to fantasy tried to conclude all his affairs, while Carranza waits for him in his dark office, since both know that inevitably this will be the last day of both.

A portrait of famed Chilean singer and folklorist Violeta Parra filled with her musical work, her memories, her loves and her hopes.

The elderly heir of a formerly wealthy and respected Chilean family, Andres, suffers from decadence and solitude. He hires young Estela in order to look after his tiranic and almost crazy grandmother. The differences in class and age don't stop Andres from courting Estela, whose fiancé Mario tries to make some money with the passions of his well-off rival. The suffocating atmosphere of the run-down mansion in the outskirts of Santiago represents the deterioration of the bourgeoisie, and sets the scene for the total collapse of Andres.

Leo and Pedro are childhood friends. Rhey work under the orders of "El Jefe", a thug, owner of the neighbourhood and the lives of its inhabitants. One day, Leo receives news that will change his life forever, Gloria, Pedro's sister and the love of his life, returns to the city. Leo and Gloria will walk through their memories, in an attempt to recover their lost love.

A young horse-tamer is wrongly accused of theft.

When Camilo and his girlfriend, Pola, start to struggle in their relationship, she asks for a week away from him to assess the situation. Although Camilo agrees, he feels confused, as his undemanding life is made uncomfortable for the first time. Soon he meets Mikela, a disaffected teenage girl whom he befriends. However, when Camilo discovers Mikela's past diagnosis as a schizophrenic, he begins to worry about her safety.

A Chilean talent show in the mold of "American Idol," "Rojo" became a huge hit the moment it hit the airwaves. This comic series puts a fictional spin on all the backstage drama: the backstabbing, the ruthless competition and the passionate abandon. Further blurring the line between fantasy and reality, several of the show's big stars -- including Monserrat Bustamante, Mario Guerrero and Yamna Lobos -- appear as pseudo versions of themselves.

A young artist starts a friendship with his neighbour, a criminal who, tormented because of one of his crimes, seeks forgiveness.

Two young men travel the city of Santiago during a working day in order to carry out a bureaucratic process. In their journey, they run into different urban characters as they talk about time and other "important" issues.

A second-class saxophonist's failures makes him fall into the nocturnal underworld, and eventually in jail. There he meets a manipulative and perverse mobster who senses the man's successful wife could be his key to launch a big criminal hit.

Ninón, singer, decides to escape from her frustrated love life, and leaves in search of an old love, finding on the way Alberto, who is on the run from the police