John V. Lindsay

During the same summer as Woodstock, over 300,000 people attended the Harlem Cultural Festival, celebrating African American music and culture, and promoting Black pride and unity. The footage from the festival sat in a basement, unseen for over 50 years, keeping this incredible event in America's history lost — until now.

On May 8, 1970, construction workers violently clashed with students demonstrating against the Vietnam War in lower Manhattan. The workmen, who came to be known as “hardhats,” were at the cutting edge of a new kind of class war. With the war in Vietnam raging on, it was the sons of the working class who were doing most of the fighting. Workmen saw the protesting students as privileged “draft dodgers” disparaging the country and those who fought for it. On the other side, many student activists saw the workers as pawns, unwilling to see the changes that America needed. Hard Hat Riot tells the story of a struggling metropolis, a flailing president, a divided people, and a bloody juncture when the nation violently diverged ― culminating in a new political and cultural landscape that radically redefined American politics and foreshadowed the future.

By the mid-1980s, the fabled animation studios of Walt Disney had fallen on hard times. The artists were polarized between newcomers hungry to innovate and old timers not yet ready to relinquish control. These conditions produced a series of box-office flops and pessimistic forecasts: maybe the best days of animation were over. Maybe the public didn't care. Only a miracle or a magic spell could produce a happy ending. Waking Sleeping Beauty is no fairy tale. It's the true story of how Disney regained its magic with a staggering output of hits - "Little Mermaid," "Beauty and the Beast ," "Aladdin," "The Lion King," and more - over a 10-year period.

The most glittering, expensive, and exhausting videotaping session in television history took place Friday February 19, 1982 at New York's Radio City Music Hall. The event, for which ticket-buyers paid up to $1,000 a seat (tax-deductible as a contribution to the Actors' Fund) was billed as "The Night of 100 Stars" but, actually, around 230 stars took part. And most of the audience of 5,800 had no idea in advance that they were paying to see a TV taping, complete with long waits for set and costume changes, tape rewinding, and the like. Executive producer Alexander Cohen estimated that the 5,800 Radio City Music Hall seats sold out at prices ranging from $25 to $1,000. The show itself cost about $4 million to produce and was expected to yield around $2 million for the new addition to the Actors Fund retirement home in Englewood, N. J. ABC is reputed to have paid more than $5 million for the television rights.

From Casey Stengel to Dwight Gooden, An Amazin' Era captures all the magic and mystique surrounding 25 years of New York Mets baseball. Relive the team's first quarter century in a collection of interviews and rare footage that follows the Mets from their humble beginnings through their championship years of 1969 and 1973, right up to the present day powerhouse team. An Amazin' Era is a complete history of the team that has captured the spirit and imagination of New York since 1962

From Casey Stengel to Dwight Gooden, An Amazin' Era captures all the magic and mystique surrounding 25 years of New York Mets baseball. Relive the team's first quarter century in a collection of interviews and rare footage that follows the Mets from their humble beginnings through their championship years of 1969 and 1973, right up to the present day powerhouse team. An Amazin' Era is a complete history of the team that has captured the spirit and imagination of New York since 1962

In a bold coup a Palestinian terrorist group captures the yacht Rosebud and kidnaps the millionaires five daughters on it. At first they demand film clips to be shown on major European TV stations. Undercover agent Martin is hired to hunt the terrorists down.

Utitlising humour, fantasy, animation, poetry and theatrics, Hochman and her crew challenge the male establishment for ignoring the first meeting of the National Women's Political Caucus and Shirley Chisholm's bid for US vice-president.

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Part of a collection of restored early works by Nam June Paik and Jud Yalkut, this piece is historically significant as well as remarkably prescient. Video Tape Study No.3 is a direct media intervention, in which Paik distorts and manipulates footage from news conferences by U.S. President Lyndon Johnson and New York Mayor Lindsey.